A Quote by Stephen King

Some part of me knew from the first that what I wanted was not reality but myth. — © Stephen King
Some part of me knew from the first that what I wanted was not reality but myth.
I was interested first of all in trying to capture this myth that was always changing and to create some sort of a master story, some version of the myth that resonated with me, since I could have taken more or less any detail that I wanted or the opposite and try to put that down on the page in a way that I could express from that outset for myself and for our readers what it was that was so magical about [Buckminster] Fuller's way of putting together the world.
As a child I became a confirmed believer in the ancient gods simply because as between the reality of fact and the reality f myth, I chose myth...Myth is the truth of fact, not fact the truth of myth.
I knew I wanted to be successful in some form or fashion. My first dreams and aspirations of being successful was probably that I wanted to be a successful drug dealer. I wanted to be Nino Brown. That was my first dream.
I was 16, I just wanted to do something in my life. I wanted to be healthy, I wanted to lose some weight and I went for my first training. In the beginning I didn't know what Muay Thai meant. You know? But I liked it so much, and after six months of training I had my first competition in Poland. I won, and after that I knew that I wanted to do it.
Once a poet calls his myth a myth, he prevents the reader from treating it as a reality; we use the word "myth" only for stories we ourselves cannot believe.
I always have difficulty with the Greek tragic plays. I think the difficulty one has - which is a serious problem - is the question of belief. Do you believe in the myth that the play expresses? Do you believe in it as myth or as reality? With any play, you have to believe in it as reality. You can't act a myth.
My first time being inside the Performance Center was for the WWE Tough Enough tryouts, and although I knew hardly anything about sports-entertainment, I knew I wanted to be a part of this place.
I knew about some experience on the operational part of the CIA with Latin American services and so forth having to do with torture. But this was the first time that the CIA was openly advocating for permission to be able to torture. And that seemed to me so abhorrent that I wanted to disassociate myself from the CIA for the first time since 1963, because I didn't want to be associated in any way, however remotely, with an agency engaged in torture.
I didn't come east of the Mississippi for the first time in my life until I was 26 years of age, but I knew. I read magazines, I listened to radio, I watched television. I knew there was something out there, and I wanted a part of it.
I remember when I got my first (and only) iPad - excitement filled the air as I opened the box and stared at what was essentially a big iPhone but without the phone part. I knew I really wanted it, and at the same time, I knew I didn't need it.
I knew what I wanted to do when I set out. I knew that I wanted to write a book that told the story, obviously. I wanted it be comedy first, because I felt like there already had been childhood druggy stories that were very serious, and I felt that the unique thing here was that I was a comic and I could tell the story with some levity, and I have been laughing at these stories my whole life.
I was 5 when I won my first song and dance competition, and my parents asked me if that is what I wanted to do, and I said, "Yeah." At 5, how can you know that? On some level, I knew that was my gift.
In Indiana, I knew the offense in and out. I knew spacing; I knew personnel. I knew the offense, how coach wanted to play me. So when I just wanted to take over and control the game, I could.
Some people feel fulfillment from a bitter end - it gives them some sort of sense of reality. But, when you're dealing with reality, I feel like films should discover the part that is happy. That's also reality. Things working out is a reality. It's encouraging.
At 13, in my first year of Tonbridge, I went up for the part of Macbeth. I was up against the 17- and 18-year-olds, but for some reason I got the part. It made me incredibly unpopular with my peers, but it was the English and drama teachers who stepped in to save me when others wanted me kicked out of the school.
What flows into you from myth is not truth but reality (truth is always about something, but reality is that about which truth is), and therefore, every myth becomes the father of innumerable truths on the abstract level.
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