A Quote by Stephen King
The important question has nothing to do with whether the talk in your story is sacred or profane; the only question is how it rings on the page and in your ear. If you expect it to ring true, then you must talk yourself. Even more important, you must shut up and listen to others talk.
Related Quotes
The receptive attitude enables one mind to fix itself to another as by spiritual grappling-irons. When you see that every word you utter us taken in, and weighed, and measured by your listener, you cannot free yourself from the influence of his presence. You are compelled to have in your thoughts not only the words you utter, but the man to whom they are spoken. You must not only talk, and talk well, but you must talk to him.
You shouldn't talk about yourself all the time - most of us aren't for sale. Our books are. Talk about them. It's not a question of whether or not you're fascinating on a personal level - it's that your trivia and trials might not have any connection to the tone, tenor and sense of your books.
Interviews are horrible. All your life you are trained not to talk about yourself. Then you are expected to do nothing else, to talk only of yourself.
For me, it's not important whether [subjects] are naked, half-naked, or dressed. What I'm more interested in is how they present themselves: if someone is half-naked and having self-confidence or you have the feeling that she has or he has control of the situation. She likes to do it. Then I have nothing against it. But it's true that society doesn't talk about such issues. They just talk about whether there is a breast or not, but for me it's more interesting how the power game of camera and object is shown. And if it's a cool picture.
When you have a stroke, you must talk slowly to be understood, and I've discovered that when I talk slowly, people listen. They think I'm going to say something important!
You must learn to heed your senses. Humans use but a tiny percentage of theirs. They barely look, they rarely listen, they never smell, and they think that they can only experience feelings through their skin. But they talk, oh, do they talk.
Albert Camus wrote that the only serious question is whether to kill yourself or not. Tom Robbins wrote that the only serious question is whether time has a beginning and an end. Camus clearly got up on the wrong side of bed, and Robbins must have forgotten to set the alarm. There is only one serious question. And that is: Who knows how to make love stay? Answer me that and I will tell you whether or not to kill yourself.
Even for a girl like me, then, there comes a day when she can stop surviving and start living. To survive, you have to look good or talk good. But to end your story well-- here is the truth-- you have to talk yourself out of it.
Stop comparing yourselves with others and let's talk about more important things that are happening worldwide. Come out, speak for yourself, because you are the leader of your life. You are the voice of your own.
In some situations, if you say nothing, you are called dull; if you talk, you are thought impertinent and arrogant. It is hard to know what to do in this case. The question seems to be, whether your vanity or your prudence predominates.
I think that having comedy where people talk the way they really talk, when you talk with your friends and whatever, it's really, it's important. Or else you're making stuff that's a little bit watered down and irrelevant.
In almost any situation, if you have been the powerful one, which would tend to be men more than women but not always, it's very important to listen as much as you talk. If you have been the less powerful one, it's very important to talk as much as you listen.
The story is the only thing that's important. Everything else will take care of itself. It's like what bowlers say. You hear writers talk about character or theme or mood or mode or tense or person. But bowlers say, if you make the spares, the strikes will take care of themselves. If you can tell a story, everything else becomes possible. But without story, nothing is possible, because nobody wants to hear about your sensitive characters if there's nothing happening in the story. And the same is true with mood. Story is the only thing that's important.
This above all-ask yourself in the stillest hour of your night: must I write? Delve into yourself for a deep answer. And if this should be affirmative, if you may meet this earnest question with a strong and simple "I must," then build your life according to this necessity; your life even into its most indifferent and slightest hour must be a sign of this urge and a testimony to it. Then draw near to Nature. Then try, like some first human being, to say what you see and experience and love and lose.
I can't even talk the way these people talk. 'Why you ain't?' 'Where you is?' Everybody knows it's important to speak English except these knuckleheads. You can't be a doctor with that kind of crap coming out of your mouth.
The question of whether or not there is a God or truth or reality or whatever you like to call it, can never be answered by books, by priests, philosopher's or saviours. Nobody and nothing can answer the question but you yourself, and that is why you must know yourself - Immaturity lies only in total ignorance of self.
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