A Quote by Stephen King

A short story is like a kiss in the dark. — © Stephen King
A short story is like a kiss in the dark.
A short story is a different thing all together - a short story is like a kiss in the dark from a stranger.
And this is a kiss like none before, a kiss that could overcome the dark of deep space night. It's a falling star, flame, ice. It's pure as water from a snow-fed mountain spring. This is what you dream a kiss to be. To have a kiss just like this each and every day! How satisfying life would be.
Writing a short story is a little like walking into a dark room, finding a light and turning it on. The light is the end of the story.
In March of 2001, I revisited the short story, and found that thought it did not work well as a short story, it might work much better as a longer one. The novel [The Kite Runner] came about as an expansion of that original, unpublished short story.
A short story is a sprint, a novel is a marathon. Sprinters have seconds to get from here to there and then they are finished. Marathoners have to carefully pace themselves so that they don't run out of energy (or in the case of the novelist-- ideas) because they have so far to run. To mix the metaphor, writing a short story is like having a short intense affair, whereas writing a novel is like a long rich marriage.
My short stories have always pushed twenty pages. That's no length for a short story to be. You either do them short like Carver or you stop trying.
So, when kiss Spring comes we'll kiss each kiss other on kiss the kiss lips because tic clocks tock don't make a toctic difference to kisskiss you and to kiss me.
Let the story lead you. If the story needs to be dark, let it go dark. If it's a sweet, good-for-the-world story, that's what it is.
Publishing a short story can sometimes feel like shouting into the dark... your words come out, and then nothing... but I don't think that's why I tend to write novels rather than stories.
I understand why creative people like dark, but American audiences don't like dark. They like story. They do not respond to nervous breakdowns and unhappy episodes that lead nowhere. They like their characters to be a part of the action. They like strength, not weakness, a chance to work out any dilemma.
I simply wanted a kiss. I was a freshman girl who had never been kissed. Never. But I liked the boy, he liked me, and I was going to kiss him. That's the story, the whole story, right there.
I understand why creative people like dark, but American audiences dont like dark. They like story. They do not respond to nervous breakdowns and unhappy episodes that lead nowhere. They like their characters to be a part of the action. They like strength, not weakness, a chance to work out any dilemma.
There are many different types of kisses. There's a passionate kiss of farewell - like the kind Rhett gave Scarlett when he went off to war. The kiss of I-can't-really-be-with-you-but-I-want-to-be - like with Superman and Lois Lane. There's the first kiss - one that is gentle and hesitant, warm and vulnerable. And then there's the kiss of possession - which was how Ren kissed me now.
Short fiction is like low relief. And if your story has no humor in it, then you're trying to look at something in the pitch dark. With the light of humor, it throws what you're writing into relief so that you can actually see it.
It wasn't the sort of kiss I'd had with him before, hungry, wanting, desperate. It wasn't the sort of kiss I'd had with anyone before. This kiss was so soft that it was like a memory of a kiss, so careful on my lips that it was like someone running his fingers along them.
You can write when you're dyslexic, you just can't read it. But I started writing short stories as a child and I found the short story format a real nice one. I love short stories and I love short documentaries or short films of any kind.
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