A Quote by Stephen King
Disney cartoons are all rated G. It's really funny. There are kids all over the world who still have complexes over Bambi's father getting shot by the hunter and Bambi's mother getting crisped. But that's the way it's always been. This is the sort of material that appeals to kids. Kids understand it instinctively. They grip it.
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I really cite Walt Disney as teaching me everything I know. It sounds crazy, but I'm serious! In 'Bambi,' the mother dies, but you don't see the corpse. You see the father, the stag, come up and you see 'Bambi' alone, and that has so much more impact than seeing a mutilated deer.
I'm the most inappropriate dad. I curse in front of my kids and their friends. I let my kids watch R-rated movies. I'll walk by the movie theater and say, 'Let's go see that,' and my kids will say, 'No, it's rated R. It's not appropriate for kids.' I'm like Uncle Dad. We have fun. I don't live with them, but I drive over four days a week.
I'd say that kids working on sets, even if it's Bambi, need to be allowed to be kids, even if they're working, not become little adults - that to me can be distorting to kids as an experience.
The subject matter itself lends itself to the black side because the kids are drug dealers and kids that are getting shot by police and getting shot by themselves. People automatically associate that with blackness because of the news.
When I was a kid I used to hate getting picked for team sports. It would be the fit and sporty guys over there. And me and the fat kids over here. Those kids were fat! One girl had to be cut out a hula hoop.
Here's the thing - I'm single, I haven't been married, I don't have kids yet. If I do have kids I would be interested to see them in my life, so here's a movie for kids and I'm in there and I'm supposed to be kind of funny for kids.
The thing that started me painting originally was seeing Bambi when I was about nine. I was incredibly disturbed by the forest fire that killed Bambi's mother, and that distress gave me the impulse to create something, as a way of dealing with it.
I tour Europe a lot. They still have a love and a fascination with the basic thing about music - how it feels and that being the focus. I've got people bringing their kids. And their kids bring their kids. The grandchildren are getting selfies with their Uncle Al.
I just find it interesting that kids apparently used to cry when Bambi's mother died. George and I both held our breaths, and then cheered when she didn't reanimate and try to eat her son.
I never stopped being a mother, and I never stopped being an artist. Which is probably why my kids are so creative. When I'm with my kids I'm creating but I'm still a mom. I don't wear two different hats. My kids have always been on the set with me. I was breastfeeding on set. None of my kids would take a bottle so they could not leave my side for a very long time.
I think kids in Europe have developed a deeper knowledge of music and of black music in particular. You go to Europe, and these kids know about all this obscure funk and soul that kids over here wouldn't know. I think it's getting better in the States, though, with the age of the Internet.
When I hear that a project takes place out of town, the material better be terrific, and it has to come at the right time. My kids are getting older, so it's getting easier, but being a mother - it's a difficult thing to juggle.
We Die Young is about gang violence. That was something that was happening in Seattle, something that kinda opened our eyes. It just seemed like things were getting out of hand. Incidents where kids were getting shot, and getting their tennis shoes ripped off their dead bodies. It just seems like these kids are dying at younger and younger ages and getting involved in gang activity.
[Kids today] think "Grease" is just one long music video. So they watch it over and over again the way we, when we were kids, we listened to albums.
That was my dream to be on a Disney show. So it was weird to suddenly getting stopped by kids my own age and getting recognized by people.
Coming from a little suburban town, I wasn't a hip city kid. I was quite the opposite, really. Songs like 'Saturday's Kids' rang a bell for kids all over the country. That song was about the kids I grew up with.
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