I just write about what I feel I want to write about. I'm like a kid. I get an idea, and it's like a kid's toy that you push and tug around the room. It's fun, it's bright, it's pretty and maybe it'll go clack-clack or whiz-whiz, whatever it happens to do. I like to make believe.
Click, clack, click, clack, went their conversation, like so many knitting-needles, purl, plain, purl, plain, achieving a complex pattern of references, cross-references, Christian names, nicknames, and fleeting allusions.
I like to write about relationships. I like it when my friends come over and we crowd around the piano and sing Journey songs at the top of our lungs... And I like things that make me feel seven again. I don't ever look down on people for the way they choose to have fun; it's just not necessarily the way I like to have fun.
The thing that bothers me is that it seems like all the sensitive stuff I write just goes unnoticed . . . the media doesn't get who I am at all. Or maybe they just can't accept it. It doesn't fit into those negative stories they like to write. I'm the kind of guy who is moved by a song like Don McLean's "Vincent," that one about Van Gogh. The lyric on that song is so touching. That's how I want to make my songs feel. Take "Dear Mama" - I aimed that one straight for my homies' heartstrings.
When I go into a room to write, it's like I'm not trying to say, 'I need to write a song that sounds like Eric Church or Jason Aldean.' I just try to get the best song that's in the room that day. Whatever style or sound that may be, I'm not afraid to attack it at that angle.
The fun thing about song writing is that it's just creative. It can be whatever you want it to be. For me, I'm really protective of that. I'm not going to write something because I feel like it fits here or it fits there - I just want to write music that feels good to me.
The fun thing about song writing is that it's just creative. It can be whatever you want it to be. For me, I'm really protective of that. I'm not going to write something because I feel like it fits here or it fits there - I just want to write music that feels good to me, you know?
I look for those moments that are 'gee whiz' moments. There's some 'gee whiz' stories in our show, and they can't be written like A-1 in the Times. They have to be written more like Page 6 in the Post.
It's just like I get this identity crisis: my body doesn't want to write, my mind doesn't want to write. Nothing about me wants to write, but I force myself to sit there and try. Nothing happens.
There's a big link between trains and film. One of the first filmed objects was a train. The clickety-clack of the projector and the clickety-clack of the train are similar. There is the idea of the voyage - every voyage is a story. I wonder if film would have been invented without the train.
I transitioned into theater and acting when I was about 9, community theater and musicals, being, like, chorus-kid-number-78 or whatever. But I just loved it. As a kid you just crave attention, and early on I just felt it was so cool and fun to play around and have people clap for me. But eventually I grew up and fell deeper into it.
For people who don't love running, they don't understand - but I never feel like anyone is putting a gun to my head to go out for a run. I feel like a kid going out to play - that feeling of when you had a bike as a kid and you'd go out and just ride and be free and have fun.
I used to like Dick Francis novels as a kid, who was like Enid Blyton but based around horses, and he'd write about the skulduggery of the racing world.
I don't write about anything I don't want to write about. I like to think I could write about anything pretty much that I chose to. I have been asked to write songs about specific things, and I've always been able to come up with the goods.
There are places and spaces for black writers to write about race as a central thing. It's important. We're still dealing with the remnants of slavery. We're still dealing with racism on a daily basis. For me, I choose to write books about black people where we are normal. I was raised to believe that I deserve to be in a room just like anybody else. I try to write books like that.
I love thinking, I love coming up with great ideas. I just get excited. Sometimes if I get a big idea, I'm just like a kid, like I've found a new toy.
I feel like the future is unwritten. So many of the things that we write now haven't been about educating people on the environment, they've been about disseminating facts. But I feel like it could be productive to write something that explored directly the idea of fragility.