A Quote by Stephen King

Stories are like relics, part of an undiscovered preexisting world. The writer's job is to use the tools in his or her toolbox to get as much of each one out of the ground intact as possible.
Stories are relics, part of an undiscovered pre-existing world.
A good editor is one of the sharpest tools a writer can have in her toolbox.
I say what's in my head, and I'm on honest ground. That is worth so much, and I think it does make my job, as a writer, easier. It makes it possible for me to give people stuff that they like.
Being literate as a writer is good craft, is knowing your job, is knowing how to use your tools properly and not to damage the tools as you use them.
With each job that you're given an opportunity to do, you're asked to use new parts of yourself and to figure the play out with other tools that you perhaps didn't use with the last show.
I think you get most of the most interesting work done in fields where people don't think they're doing art but are merely practicing a craft and working as good craftsmen. Being literate as a writer is good craft, is knowing your job, is knowing how to use your tools properly and not to damage the tools as you use them.
The first is that good writing consists of mastering the fundamentals (vocabulary, grammar, the elements of style) and then filling the third level of your toolbox with the right instruments. The second is that while it is impossible to make a competent writer out of a bad writer, and while is equally impossible to make a great writer out of a good one, it is possible, with lots of hard work, dedication, and timely help, to make a good writer out of a merely competent one
My first teacher was Steven Spielberg. I worked on Amazing Stories. That was my first job, as a writer and as a story editor. Watching him and his command of the tools of filmmaking, and his admiration for writing and the story itself, was the greatest lesson I ever had.
Nature has provided us a spectacular toolbox. The toolbox exists. An architect far better and smarter than us has given us that toolbox, and we now have the ability to use it.
I like to think each writer is doing his or her part. Feeding the lake, as Jean Rhys said. And maybe there are different lakes.
I certainly like the actor to have as much lee-way as possible. In the same way that director Bong was generous enough to let me create, you have to do that for actors, as well, and let them use the tools they have, and part of that is their own brains and their own words.
I would never make up a character who didn't exist or an event that didn't transpire. If you're a real writer, you have other tools in your toolbox to build drama.
I'm very much, like, 'We've all got to help each other.' If there's a new female writer, I'm much more likely to read her book than if it's by a new male writer.
I love my job so much. I thought, what a cool way for kids to learn, via assignment, via reporting. I learn so much as an adult going around and covering these stories. How fun it would be to do it via a storybook app and cartoon characters. My daughter can work on an iPhone and iPad like crazy. That's their world. If you can use that, use it educationally.
A man loves a woman so much, he asks her to marry - to change her name, quit her job, have and raise his babies, be home when he gets there, move where his job is. You can hardly imagine what he might ask if he didn't love her.
Maintaining news cycle is the job. It's always been the job. This is just more intense. You find out what the story is, you use the tools you have to get clear on it, you bring the knowledge that you've built up over the past however long. Part of the trick is just having people who know what they're doing. In terms of the pace, yeah, it's exhausting. I feel for all of us in the media, and in the White House and in the country. I mean, this is not a fun time.
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