A Quote by Stephen King
The great thing about writing is that...you can do all these antisocial things and you get paid for them and nobody ever arrests you because they're all make-believe. Then that way if you were actually ever driven to do any of those things, the pressure's off because you'd have already written them down. It's therapy.
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I don't think that those things [so called common practice] ever truly existed in the way that we like to believe that they do, the way we learn about them in music history class. Those things are defined at least decades after they happen. And even then, it's a fallacy because when you're in the moment, when you're in a thriving scene of musicians, inevitably everyone is going to be doing something completely different from everyone else
I'll tell you one thing for sure: once you get to the point where you're actually doing things for truth's sake, then nobody can ever touch you again because you're harmonizing with a greater power.
Because you don’t ever find things when you’re looking for them. You find them when you’re not.” “If that were true, nobody would ever find their keys.
As long as there are things to wonder about, there are stories to be written about them. That makes me happy, because writing about things seems to be my thing.
One of the things that put me off writing for a while was that piece of advice everybody gives new writers: 'Write what you know.' Nobody would ever want to read about my boring life! But I do know a lot of things about different societies' cultures and mythologies. The way people were and are.
I'm grateful that I had that uphill battle for 10 years of going onstage and having nobody know who I was, because you have to win them over. I have a lot of friends who were stand-ups, and they just stopped after a while, because they didn't like that battle. And then they would get on a sitcom and get visible and get back into it, because the audience was just way easier on them. That's why they're okay stand-ups, but they're never going to be great, because they don't have that presence. They never built those muscles up.
I don't believe you ever stop loving anyone you ever really loved. You have them there like money in the bank just because you loved them and held them in your arms or dreamed you did. You can forget a lot of things in life, but not that honey to end all honeys.
Ever drive by one of those things on the highway which tells you how fast you're going? I don't even pay attention to them anymore because I found a similar gadget in my dashboard... Some people slow down at those things... I don't slow down. I speed up and set the high score.
As for thinking time versus writing time, well, that's up to you. But - and I wish it were otherwise - books don't get written by thinking about them, they get written by writing them. And that's when you make discoveries about what you're writing. That's when you get the happy accidents.
So little of what makes a democracy work is written down. So much of it is just the things you don't do. There are a lot of things that a prime minister or a president can do and they don't do them because it never occurs to them to do them.
We all know of course, that we should never ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever fiddle around in any way with electrical equipment. NEVER.
I'm a planner, an organizer. I write things down because you can visually check them off and see progress. Writing things down is a lost art. I've got sticky notes all over my apartment.
Making a film is hard because you're not dealing with the intangible. When you're writing, it's perfect because it's only in your head and then you have to take it into the physical world and that's where things drop off and things fall apart and you have to fix them.
I don't know how my parents ever paid for my dance classes when I was little. We even had to line our shoes with newspaper when there were holes in them because we couldn't afford to get them soled.
The most extraordinary thing, you'd be given permission for, and then the weirdest, simplest things, you just wouldn't be able to obtain permissions. And it would go on and on and on forever and ever, and there was no way to know. You have to kind of approach it with an open, quite optimistic mind, no matter what's thrown at you, because it will only ever result in damaging the film if you let any kind of despondency get to you.
When I was writing my first novel, 'Elizabeth is Missing,' I was writing the only novel I had ever written and writing about the only protagonist I'd ever written about. Because of this, I didn't think of her as a construct. Maud was real.
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