A Quote by Stephen King

This is probably the single great subject of horror fiction: our need to cope with a mystery that can be understood only with the aid of a helpful imagination. — © Stephen King
This is probably the single great subject of horror fiction: our need to cope with a mystery that can be understood only with the aid of a helpful imagination.
There is a mystery about this which stimulates the imagination; where there is no imagination there is no horror.
Novels shouldn’t aspire to answer questions, and I wouldn’t presume to offer advice about love or marriage in any case. What’s fascinating to me about marriage as a subject for fiction—a subject that fiction has taken on with gusto since the 19th century—is how unknowable other people’s relationships are. Even the marriages of your parents, your siblings, your closest friends always remain something of a mystery. Only in fiction can you pretend to know people completely.
Character halts without aid of the imagination, which our classes in Shakespeare and Browning, music and drawing, recognize not only as amusement and by-play of the mind, but a co-ordinate power. Its work is unhappily styled fiction; for to idealize is to realize.
The first mystery is simply that there is a mystery, a mystery that can never be explained or understood, only encountered from time to time. Nothing is obvious. Everything conceals something else.
As I see it, there are two great forces of human nature: self-interest, and caring for others. Capitalism harnesses self-interest in a helpful and sustainable way, but only on behalf of those who can pay. Government aid and philanthropy channel our caring for those who can't pay. But to provide rapid improvement for the poor we need a system that draws in innovators and businesses in a far better way than we do today.
In hard-core science fiction in which characters are responding to a change in environment, caused by nature or the universe or technology, what readers want to see is how people cope, and so the character are present to cope, or fail to cope.
I love horror, mystery, and science fiction, and Poe was one of the founding fathers of those worlds.
The most sustained feat of imagination in mystery fiction today.
You do not need to belong to the cat for a long time to realize the main thing that cats like to do is to wrap theirselves up in mystery, perhaps only except for a hobby of jumbling up everything that is in order. And if the cat can, and usually so, make a great mystery of where it was when you were searching for it even if a moment ago it was sitting by your side, do not have any doubts: its ancestors had a great pleasure to surround its origin by mystery.
In a single lifetime, roughly from 1865 to 1930, one finds the pioneering and patterning works of modern fantasy, science fiction, children's literature and detective fiction, of modern adventure, mystery and romance.
Not only is hair a part of the body, but because it continues to grow for a time after death, it was considered a symbol of life and spiritual power. Likewise, hair to me is an element of mystery and an intriguing subject that rouses my imagination.
I certainly incorporate facts into my fiction. I take the basic facts from the life of my subject and I pick and choose what to use to construct a really interesting novel. I don't let facts get in the way of my imagination and my exploration of the subject's emotions and relationships.
Authors are far closer to the truths enfolded in mystery than ordinary people, because of that very audacity of imagination which irritates their plodding critics. As only those who dare to make mistakes succeed greatly, only those who shake free the wings of their imagination brush, once in a way, the secrets of the great pale world. If such writers go wrong, it is not for the mere brains to tell them so
Fiction is not imagination. It is what anticipates imagination by giving it the form of reality. This is quite opposite to our own natural tendency which is to anticipate reality by imagining it, or to flee from it by idealizing it. That is why we [Europeans] shall never inhabit true fiction; we are condemned to the imaginary and nostalgia for the future.
I definitely gravitate towards quality genre projects and genre of any kind whether it's science fiction, horror or really anything. I'm just drawn to quality. I don't think 'Darkness Falls' is horror; there isn't any gore by any stretch of the imagination.
The mystery of the Cross, a mystery of love, can only be understood in prayer. Pray and weep, kneeling before the Cross.
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