A Quote by Stephen King

I go where the story leads. And, sometimes, it is a little bit outrageous. And I relish that. I sort of want to be as much on the edge as I can. — © Stephen King
I go where the story leads. And, sometimes, it is a little bit outrageous. And I relish that. I sort of want to be as much on the edge as I can.
I can be a little bit outrageous. I can be a lot of things. I'm a bit of an adrenaline junkie, so I love to go out there and do kind of crazy stuff which is slightly outrageous, like bungee jumping, skydiving, surfing and that sort of stuff. But I also like to just chill with my friends and go and see movies and do normal things.
My talent is working very hard and having a decent nose. A good nose for a story and the ability to get a little bit dirty sometimes, to get a little bit physical sometimes chasing a story. And to feel it, I mean I feel it.
I've often made revisions at that stage that turned out to be mistakes because I wasn't really in the rhythm of the story anymore. I see a little bit of writing that doesn't seem to be doing as much work as it should be doing, and right at the end, I will sort of rev it up. But when I finally read the story again, it seems a bit obtrusive.
There's not too much Edge in Adam Copeland, but there's a little bit of my sarcasm and my sense of humor, I guess, but I'm not a sleazy, raving maniac like the character of Edge could be.
Sometimes when you go into the match, you want it so badly. I think sometimes is tricky. It makes you a little bit, like, tense and nervous.
Writing is a little athletic for me. I get worked up a little bit when I do it. So I guess I'm a little bit like that composer conducting. There are a lot of things that go into what I do, but I think athletics really sort of shaped my ethic.
Being producer you're still going to have to sell somebody who's going to give you the money on the idea and everything like that. But it does give you a little bit more control if you're thinking in that creative process; it gives you more control to tell the story you want to tell rather than sort of just reading a script that somebody else wrote and says, "Yes, please, you can hire me for this job." So it's a little bit more hands-on, a little bit more closer to the heart.
I think, you know, when you're a teenager, sometimes your emotions are a little bit more drastic than maybe when you're in your 20s. You sort of level out a little bit.
My mother's not a political person. She just doesn't want me to be mean... sometimes I have to be mean. It's like a parent or a teacher. Sometimes for the good of everybody you have to be a little bit strong, a little bit confrontational.
I always put a little bit of restrictions on myself, and I only do it for my creativity. And I do it sometimes because I want the music to stand out a little bit more than many other bands do. Yeah, I sometimes impose rules on my creativity.
Sometimes when you tell a story, you reach a little bit too far just to make the story a better one.
Sometimes I hear a voice - sometimes it's the voice of someone I know. And sometimes that leads to a character, which leads to a story.
There's always a little bit of anticipation - some people call it nerves - the night before, and although I always slept pretty well before big matches, you want to be on edge a little bit to get the best out of yourself.
I beat myself a little bit too much sometimes. When you beat yourself a little bit too much, there's little things that make you miserable.
The Work always leaves you with less of a story. Who would you be without your story? You never know until you inquire. There is no story that is you or that leads to you. Every story leads away from you. Turn it around; undo it. You are what exists before all stories. You are what remains when the story is understood.
I think you do have to attend to the sort of core values of film, which is that the audience wants to have a relationship with the characters, they want to understand what's going on there. There are certain things that comics can have a little bit more freedom in then when you're asking an audience to engage in it as a piece of cinema, but I do feel like the canvas is much bigger and wider and that we're being invited and frankly challenged to take risks, to be a little bit different. And that's fun, that's exciting.
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