A Quote by Stephen King
Somebody asked Somerset Maugham about his place in the pantheon of writers, and he said, "I'm in the very front row of the second rate." I'm sort of haunted by that.
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It's a very obsessive profession that you need to stay obsessed to get anywhere, and it's very easy for us to get obsessed and then nothing else matters. I was reading Somerset Maugham's novella, Moon and Sixpense, about this artist based on Gauguin's life. It was so beautifully written. You must be first rate because second rate you might not survive. If you're an accountant, you'll survive second rate. If you chance it big, you may not get anywhere.
Goethe said, "The author whom a lexicon can keep up with is worth nothing"; Somerset Maugham says that the finest compliment he ever received was a letter in which one of his readers said: "I read your novel without having to look up a single word in the dictionary." These writers, plainly, lived in different worlds.
The writers I care about most and never grow tired of are: Shakespeare, Swift, Fielding, Dickens, Charles Reade, Flaubert and, among modern writers, James Joyce, T. S. Eliot and D. H. Lawrence. But I believe the modern writer who has influenced me most is Somerset Maugham, whom I admire immensely for his power of telling a story straightforwardly and without frills.
Writer Somerset Maugham, after his parents deaths, spent a few stultifying years in his uncle's vicarage. Later, in his teens at a boarding-school, having lost his belief in the existence of God said: "The whole horrible structure, based not on the love of God, but on the fear of hell, tumbled down like a house of cards."
It is very difficult for a writer of my generation, if he is honest, to pretend indifference to the work of Somerset Maugham. He was always so entirely there.
Discovered W. Somerset Maugham in about 5th grade. Didn't understand the plots, but loved the descriptions.
I am, incidentally, the only writer to have received the Somerset Maugham award twice - the first time for my first novel, the second time for my second first novel.
I don't feel when I'm writing that I'm drawing from any other writer, but of course I must be. The writers I've admired have been not so very different from myself: Evelyn Waugh, for example, that kind of crystalline prose. And I've always admired W. Somerset Maugham more than any other writer.
We are born haunted, he said, his voice weak, but still clear. Haunted by our fathers and mothers and daughters, and by people we don't remember. We are haunted by otherness, by the path not taken, by the life unlived. We are haunted by the changing winds and the ebbing tides of history. And even as our own flame burns brightest, we are haunted by the embers of the first dying fire. But mostly, said Lord Jim, we are haunted by ourselves.
The modern writer who has influenced me most is W. Somerset Maugham .
It is said Somerset Maugham traveled the world with a notebook to learn the essence of life and Kafka sat in a room for the same objective. Yet Kafka came out with a better world-view.
If you go to a second-rate place, and you are first-rate, it is very difficult to do first-rate work because you do not get that critical feedback you need for first-rate work on a daily basis.
Somerset Maugham said that it took at least six human beings to make one fictional character. That is true of landscape as well, I think. We have to make our landscapes, change streets, create new turnings, rebuild or tear down, change time, and even nature, if need be.
Wouldn't he know without being asked?' said Polly. 'I've no doubt he would,' said the Horse (still with his mouth full). 'But I've a sort of an idea he likes to be asked.
I read books more than I go out. As a matter of fact, I get a little concerned about some of my anti-social habits. I will choose a night with Somerset Maugham or Russell Banks over a crowded bar any day.
One of my proudest achievements is that when an authoritative book about Hungarian literature came out about a decade ago, there was a little article about me which said I was a Hungarian writer but pretending not to be. Bearing in mind I can hardly write a cheque in Hungarian, I was delighted to be included in the pantheon of Hungarian writers.
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