A Quote by Stephen King

I wanted to write a balls-to-the-wall supernatural horror story, something I haven't done in a long time. — © Stephen King
I wanted to write a balls-to-the-wall supernatural horror story, something I haven't done in a long time.
I wanted to write a horror story. But in some ways, I have always thought of myself as a kind of ghost-story/horror writer, though most of the time the supernatural never actually appears on stage.
When you read a supernatural suspense story or a ghost story, or a horror story, the evil at play is something that you can dismiss. And I wonder if, in this time, if people really want to be sitting on the subway reading a book about someone releasing a dirty bomb on the subway.
I had always loved horror films, so I wanted to do something in the horror genre but wanted it to be sweet and charming at the same time. Because there's a difference between watching horror, where you can leave it behind, and writing horror, where you have to live in it for months and months at a time.
A dark, fantastic adventure set in an alternate 1900s Asia, 'Monstress' is buried deep in the supernatural. It's a story I've wanted to tell for a long time - it just took me awhile to put all the pieces together.
When a story or part of a story comes to me, I turn it over in my mind a long time before starting to write. I might make notes or take long drives or who knows what. By the time I give myself permission to write, I know certain things, though not everything. I know where the story is headed, and I know certain crucial points along the way.
I had long wanted to write a love story, and I had long - wisely, I felt - shirked the challenge because I felt it the hardest story of all to write.
I've wanted to do a Sammy Davis Jr. story for a long time. It's one of those pet projects that has to be done.
Hillary Clinton wanted the wall on the border. Hillary Clinton fought for the wall in 2006 or thereabouts. Now, she never gets anything done, so naturally the wall wasn't built. But Hillary Clinton wanted the wall.
I have always loved westerns... supernatural westerns in particular. One of my first professional short story sales was a horror/western story. It wasn't so great, though, so I'm glad the magazine folded before it saw print.
I wanted to write something that reflected the violence and horror of the world, but I also wanted to reflect the way people fight to survive, even when society wants to crush them.
I never actually wanted to write horror, oddly enough. It was a kind of misnomer, because I didn't ever actually write horror in the sense of the genre known for it. It was more a type of pigeon-holing in bookshops.
All my friends who wanted to write had got nowhere trying to write the great European novel. So I deliberately steered clear of that and set out to write something story-led.
Photojournalism is photography with more story telling. A single image can be amazing and dramatic. I started out shooting individual images, but I found I wanted to have more of a voice: to actually say something. I wanted to do something more personal over a long period of time, with more authorship.
I have never read horror, nor do I consider The Exorcist to be such, but rather as a suspenseful supernatural detective story, or paranormal police procedural.
The Surrealist supernatural is a bit predictable but given the choice between supernatural and anything else, I would have no hesitation. Long live supernatural!
People say 'Scott's [Derrickson] movies are kind of scary, is this a horror movie?' Of course, [Doctor Strange] it's not a horror movie. But what Scott has done so well in the best of his films is have one foot completely in the real world and one foot in this whatever supernatural sub-genre he was playing with.
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