A Quote by Stephen King

This is not a bad life. — © Stephen King
This is not a bad life.

Quote Topics

What makes 'The Wire' a beautiful story is how true to life it is. In other shows, you have a good guy and a bad guy. In 'The Wire,' bad guys are trying to be good, good guys are doing bad. You have real life. The people who do bad get bad things done to them.
A writer's life is so hazardous that anything he does is bad for him. Anything that happens to him is bad: failure's bad, success is bad; impoverishment is bad, money is very, very bad. Nothing good can happen... Except the act of writing.
No one really has a bad life. Not even a bad day. Just bad moments.
All my life I have painted pictures so that certain people would drop dead when they looked at them, but I have not succeeded yet. The worst painting cant hurt you, but a bad driver can kill you, a bad judge can send you to the chair, a bad politician can ruin an entire country, That is why even a bad painting is sacred.
You know, I think a lot of times what happens when we as actors know we're playing a bad guy is we get into bad guy mode. You know what, man? In real life, bad people do good things too and good people do bad things. So you don't necessarily have to be the stereotypical bad guy to still do bad things.
Everyone likes to be the heel. Everyone wants to be the bad guy. I mean, I love being the bad guy, but the crowd doesn't want me to be a bad guy. In real life, I'm too much of a good guy to be a bad guy.
Everything in my life is in perspective. OK, perspective ebbs and flows. I've had bad days, but they weren't in the last years. A bad day is 2 October 1996: 'We've got bad news for you, you've got advanced testicular cancer and you've got a coin's toss chance of survival.' That's a bad day.
I am a fairly mongrelized person - you know I've been a migrant my whole life, and it's hard to think of myself as any pure one thing. And so I take it, I guess, very personally - this notion that migrants are bad and that mixing is bad and that people from other places are bad.
I think I've had to work my entire life at reacting to bad news, 'cause my first tendency whenever bad news comes is to pretend like it's not that bad somehow. And, you know, if you can do that with your parents being executed, you can do that with almost anything.
There are no bad boys. There is only bad environment, bad training, bad example, bad thinking.
Since oceans are the life support system of our planet, regulating the climate, providing most of our oxygen and feeding over a billion people, what's bad for oceans is bad for us - very bad.
Real life is not quite as it is in stories. In the old tales, bad things happen, and when the tale has unfolded and come to its triumphant conclusion, it is as if the bad things had never been. Life is not as simple as that, not quite.
One bad day could turn into a bad year if you're not careful. Or, a bad rest of your life if you're not careful. Because of one day!
I've never met anybody who's had a flashback in my life and I took millions of trips in the Sixties, and I've never met anybody who had any problem. I've had bad trips, but I've had bad trips in real life. I've had a bad trip on a joint. I can get paranoid just sitting in a restaurant; I don't have to take anything.
When it comes to partisan politics, everyone is a hypocrite. And all they care about is whether it hurts or helps them ... Is it good or bad for the Democrats? Is it good or bad for the Republicans? Is it good or bad for Jews, or good or bad for blacks, or is it good or bad for women? Is it good or bad for men? Is it good or bad for gays? That's the way people think about issues today. There is very little discussion of enduring principles.
Camp taste turns its back on the good-bad axis of ordinary aesthetic judgment. Camp doesn't reverse things. It doesn't argue that the good is bad, or the bad is good. What it does is to offer for art, and life, a different - a supplementary - set of standards.
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