A Quote by Stephen L. Carter
Teasing out the way the world might look through another's eyes is what makes the creative process so fascinating and enjoyable.
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What you really have to do, if you want to be creative, is to unlearn all the teasing and censoring that you've experienced throughout your life. If you are truly a creative person, you know that feeling insecure and lonely is par for the course. You can't have it both ways: You can't be creative and conform, too. You have to recognize that what makes you different also makes you creative.
The struggle is part of the creative process, and it's very enjoyable to have the struggle. Without the struggle, there would be no joy in creativity. The one thing that is not enjoyable is if you get attached to the outcome. And if you're constantly looking for approval and you are not immune to criticism, then you are in trouble, and you will continue to be struggling and never find the creative impulse.
If you look at the world one way, it takes from you - it's a thief of time, energy, creative mojo. But if you look at the world another way, it gives you an endless supply of motivation.
I was thinking one of the great things about fiction is we, as a race, only get to look out of our own eyes at the world. And fiction is a fantastic way of looking out through somebody else's eyes.
Man is not intended to see through the eyes of another, hear through another's ears nor comprehend with another's brain. Each human creature has individual endowment, power and responsibility in the creative plan of God.
A lot of humour is about just enjoying life and spontaneity and because you make a joke that puts somebody down - we're always teasing each other. It's with affection. It's nasty teasing that we - not all teasing; nasty teasing you cut out.
I don't think I can see the world through other people's eyes, but I can capture an attitude or a look that makes others think I can. I have an appreciation for why people choose to look the way they do. But I can't know what they experience.
Every once in a while I have this revelation like, "Wow, a hundred years ago the world wasn't black and white." It was in color. Photographed in a certain way, people look from another time. We are just not used to seeing ourselves in that context. Something that's fascinating about photography is you can isolate a moment, tear it out of its context, and see it afresh. Another realization is that, "Wow, there's a big world out there, and people are still doing all sorts of the things that they used to do." We don't just live in iPad land.
I look at the artistic process as like experiencing the world, channeling it through your personality and sending it back out there. That's the process.
If you're looking at things with the right set of eyes, people are endlessly fascinating. And then, of course, if you look at it the wrong way, then the whole world is horrible and tedious and boring. That's the battle, really--to keep looking at the world in the right way.
The preliminaries were out of the way, the creative process was about to begin. The creative process, that mystic life force, that splurge out of which has come the Venus de Milo, the Mona Lisa, the Fantasie Impromptu, the Bayeux tapestries, Romeo and Juliet, the windows of Chartres Cathedral, Paradise Lost - and a pulp murder story by Dan Moody. The process is the same in all; if the results are a little uneven, that doesn't invalidate the basic similarity of origin.
Looking, Walking, Being, I look and look. Looking's a way of being: one becomes, sometimes, a pair of eyes walking. Walking wherever looking takes one. The eyes dig and burrow into the world. They touch, fanfare, howl, madrigal, clamor. World and the past of it, not only visible present, solid and shadow that looks at one looking. And language? Rhythms of echo and interruption? That's a way of breathing. breathing to sustain looking, walking and looking, through the world, in it.
I mean, I come from a hippie mentality where I just think to know someone, you need to look into their eyes. Eyes are so important. Until they start melon-balling eyes out, I won't be able to get to know someone another way.
It's how you tell the story that makes it new. That's what artists do. They let us look at the world from a different perspective. They let us look at birds in a way that makes us never see birds again in the same way. That's why I don't think computers are healthy for kids. They're too literal. You pop a button and a bluebird comes out. You pop another button and you can take the color blue and shove it into the outline of the bluebird.
It should not be Illiers-Combray that we visit: a genuine homage to Proust would be to look at our world through his eyes, not look at his world through our eyes.
We can actually accelerate the process through meditation, through the ability to find stillness through loving actions, through compassion and sharing, through understanding the nature of the creative process in the universe and having a sense of connection to it. So, that's conscious evolution.
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