A Quote by Stephen Lang
My criteria for doing theater has always been slightly different than my criteria with movies, in that there are a lot of reasons to do films, having to do with location, money, and first and foremost having to do with script and role and director.
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I'm almost 60. I've been doing this for a while. In order to do this for that long, you have to make decisions based on lots and lots of different criteria, you know. I mean, the criteria has to shift, especially if you're an actress.
I've always been slightly hesitant about generalizing movies made by men and women being different in their nature; I think movies by each director are different. Having said that, I think that it's kind of disgraceful that there aren't more female directors.
Well, there's two things I have criteria for doing a film: The script, which is the story, and the filmmaker, and it's a filmmaker's medium. I like really strong directors, and so when I do a film, I'm out there to serve the director, really, which is in turn to serve the script, to serve the director cause he's the one making the film. I relied on Todd Haynes for that.
Things have a behavior online, whereas in print, there is a single canonical expression for them, but online everything responds to different criteria or has inherent states to it based on that criteria. So, you have to design that in a different way. It's a completely different dynamic even though it may look similar.
We have 35 different criteria when deciding on the location of a data centre. Tax is one of them.
The criteria [to take or refuse the role] is that I would love to have some kind of dialogue or communication with the director. I need to understand that we can communicate and that we like communication. That's something I have to have a strong feeling about. Secondly, I have to find the script intriguing or interesting. I don't have to understand the whole script, but I do have to find it intriguing. If those two things are present, that would probably be a yes.
My criteria has always been the script, director and character. But I also attach importance to the production house. After all, the banner has to go all out to present the film in a grand manner. I am ready to work with any house that is capable of marketing and packaging a film well.
Florida is one of the first states that sort of gives the legislature a very clear criteria for re-drawing electoral district maps. Basically, all the criteria do is tell the legislators that you can't draw a seat that helps yourself or a political party. That's really critical.
If there's anything you want to do and you can't figure out why you're not doing it, there's a simple answer: you link more pain to doing it than not doing it. Hey, if you don't have enough money, for example I know that's an issue for a lot of people. It was for a good deal of my life. If you don't have money there's only one reason: you link more pain to having more money than to not having it.
For me, my criteria for making films is all about trying to do something different from the last time. So if I catch myself doing too much of one thing, I'm always trying to move away from that, because it's not going to be challenging enough to keep my attention and focus.
I have been very lucky because I have had the opportunity to see what it's like to have little or no money and what it's like to have a lot of it. I'm lucky because people make such a big deal of it and, if I didn't experience both, I wouldn't be able to know how important it really is for me. I can't comment on what having a lot of money means to others, but I do know that for me, having a lot more money isn't a lot better than having enough to cover the basics.
Having come up in the era where movies are only movies if they're released in the theater... I don't know if that holds true anymore. I've been involved in some movies that have gone 'direct-to-video,' and that used to not be a good thing, but now it's different.
Coming from theater, and having been to acting school, and done little, small Australian independent movies, a lot of the time, it's always about character.
But on balance, a performer wants to feel that there's something there which stands out because you put a lot of effort into it, a lot of energy and a lot of yourself into something. I feel pretty successful about some movies I've been in that have not been greeted with a lot of enthusiasm and I do trust my own criteria.
If I had to choose criteria, for me, it's about first the director. I want to be a part of something that's good and intellectually challenging. After the director it's the character and the story. That's the deal for me.
I grew up in a renaissance period, a very lucky time when the greatest music ever made was also the most commercial. We'll never see that again, so for me, there's only one criteria, which is greatness. That's all I care about. Is what I'm doing reaching for greatness? Whether I achieve it or not, that is one hundred percent of my criteria.
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