A Quote by Stephen Lang

Whether I appear in 'Avatar 2' or 'Avatar 3', I always feel I'm a part of the 'Avatar' team. — © Stephen Lang
Whether I appear in 'Avatar 2' or 'Avatar 3', I always feel I'm a part of the 'Avatar' team.
Aang is an Airbender, and he became the Avatar after the last one died. He has to realize his destiny as the Avatar by mastering all of the elements - earth, fire and air. For me, I feel like I'm mastering all the different styles or elements of MMA. It's my destiny to become the Avatar of this game.
The Avatar is a child to the children, a boy to the boys, a man among men, a woman among women, so that the Avatar?s message might reach each heart and receive enthusiastic response as Ananda. It is the compassion of the Avatar that prompts His every action.
The Avatar appears to be human and we are misled into thinking of him in these terms but the Avatar himself warns us against this error.
If I could be any avatar and go into a social virtual space, I think I would try to be my avatar from 'Ready Player One' 'cause why not? He's already got the windy hair.
I find a certain peace by thinking of me in public as sort of an avatar self. You out there can have the avatar me.
Avatar is a watershed movie. We'll always refer to Lawrence of Arabia in the same way. We'll always look at Avatar and say, "That's about as good as it gets." It's an enormous advance, in every way, shape and form, of movie making.
To be honest, I found the 3D in 'Avatar' to be inconsistent and while ground breaking in many respects, sometimes I thought it overwhelmed the storytelling. Technology aside, I wish 'Avatar' had been more original in its storytelling.
If you look at 'Avatar,' could you imagine if you did 'Avatar' for 50 million dollars? It would be ridiculous! You would almost be getting laughs from the audience, unless you got a real indie director to do something incredibly stylised.
The remarkable thing about 'Avatar' is the degree to which the technology is integral to the story. It is important to show Pandora and its Na'Vi natives in 3-D because 'Avatar' is fundamentally about the moral necessity of seeing other beings fully.
Critics have called alien epic 'Avatar' a version of 'Dances With Wolves' because it's about a white guy going native and becoming a great leader. But Avatar is just the latest scifi rehash of an old white guilt fantasy.
I can't imagine a more profoundly exciting experience than I had working on 'Avatar.' And whether I'm ever part of it again, I'll always be very proud that I was a part of it.
I’d designed my avatar’s face and body to look, more or less, like my own. My avatar had a slightly smaller nose than me, and he was taller. And thinner. And more muscular. And he didn’t have any teenage acne. But aside from these minor details, we looked more or less identical.
Building upon the world we created with 'Avatar' has been a rare and incredibly rewarding experience. In writing the new films, I've come to realize that 'Avatar's world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.
The only sci-fi movie that I've ever been offered that, had circumstances been different, I would have definitely done, was 'Avatar.' And I literally couldn't do it because of my schedule. But listening to James Cameron talk about 'Avatar' was so fascinating. Because he literally invented the world in his mind - and it literally existed.
I did The Fifth Element and [Jean-Claude] Mezieres, the artist of Valerian; he was working on Fifth Element. And he's actually the one who say, why don't you do Valerian? And I said because we can't make it. And you really have to wait for Avatar and to suddenly think oh okay, maybe we can think of it. But before Avatar, just forget it.
I love being part of the 'Avatar' family.
This site uses cookies to ensure you get the best experience. More info...
Got it!