A Quote by Stephen Leacock
The landlady of a boarding-house is a parallelogram - that is, an oblong angular figure, which cannot be described, but which is equal to anything.
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The landlady of a boarding-house is a parallelogram - that is, an oblong angular figure, which cannot be described, but which is equal to anything
Not infrequently ... the theoretical is a synonym of the stereotyped. For the 'theoretical' in chess is nothing more than that which can be found in the textbooks and to which players try to conform because they cannot think up anything better or equal, anything original.
... people are growing up in the slack flicker of a pale light which lacks the concentrated burn of a candle flame or oil wick or the bulb of a gooseneck desk lamp: a pale, wavering, oblong shimmer, emitting incessant noise, which is to real knowledge or discourse what the manic or weepy protestations of a drunk are to responsible speech. Drunks do have a way of holding an audience, though, and so does the shimmery ill-focused oblong screen.
So much of my work is defined by the difference between the figure in the foreground and the background. Very early in my career, I asked myself, "What is that difference?" I started looking at the way that a figure in the foreground works in eighteenth- and nineteenth-century European paintings and saw how much has to do with what the figure owns or possesses. I wanted to break away from that sense in which there's the house, the wife, and the cattle, all depicted in equal measure behind the sitter.
Who can tell whether the parallelogram, which in our ignorance we have defined and drawn, and the whole of whose properties we profess to know, may not be all the while panting for exterior angles, sympathetic with the interior, or sullenly repining at the fact that it cannot be inscribed in a circle?
Correct is to recognize what diseases are and whence they come; which are long and which are short; which are mortal and which are not; which are in the process of changing into others; which are increasing and which are diminishing; which are major and which are minor; to treat the diseases that can be treated, but to recognize the ones that cannot be, and to know why they cannot be; by treating patients with the former, to give them the benefit of treatment as far as it is possible.
I became religious and at 14 went to a boarding school 500 miles from home to begin theological studies. By the time I started university, politics had replaced religion in the economy of my enthusiasms but I had no idea what to study. My boarding school emphasized languages which I was bad at, and deemphasized math and science which I was good at.
One strategy that the tea party smartly embraced was one of being almost entirely defensive. They consciously decided not to figure out which of their really abominable conservative policy priorities to prioritize. Instead, anything that came out of the Obama White House they were against. What they recognized is that when you've lost the White House and the House of Representatives and the Senate, you're not setting the agenda anymore. We progressives find ourselves in a similar situation now.
I have gained very great inspiration from the Cornish land- and seascape, the horizontal line of the sea and the quality of light and colour which reminds me of the Mediterranean light and colour which so excites one's sense of form; and first and last there is the human figure which in the country becomes a free and moving part of a greater whole. This relationship between figure and landscape is vitally important to me. I cannot feel it in a city.
The United States of America was originally an experiment. But it was an experiment in recognizing God-given individual liberty and creating a government in which we no one is deemed better than another. And in which all of us are equal. Not equal in abilities, but equal in intrinsic worth and value.
I cannot classify the other, for the other is, precisely, Unique, the singular Image which has miraculously come to correspond to the speciality of my desire. The other is the figure of my truth, and cannot be imprisoned in any stereotype (which is the truth of others).
It is the psychic depression of decadence which has come to this place and time. It is what happens to people who ignore their artists and deny their children. It is a terminal case of involutional melancholia which comes from within and cannot be cured by T.V. or psychotherapy or anything but a creative life, which is hard to come by in a country where it doesn't pay to do anything for yourself.
Kevin McCarthy, who is the House majority leader, was pretty open. He went out and recruited candidates. And the Republicans in the House have paid a price for it ever since, because they cannot pass anything comprehensive or real because of the Freedom Caucus, which is the child, the product, the progeny of the Tea Party.
The observance of one commandment, however clearly and forcibly enjoined, cannot make up for the neglect of another which is enjoined with equal clearness and equal force.
I set my life since then attempting to figure out how to do that, basically how to have a sort of public discourse in which anything and everything are open to conversation and in which the thought experiment is a means by which to posit all manner of different realities, potential futures.
You cannot speak that which you do not know. You cannot share that which you do not feel. You cannot translate that which you do not have. And you cannot give that which you do not possess. To give it and to share it, and for it to be effective, you first need to have it. Good communication starts with good preparation.
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