A Quote by Stephen Malkmus

?ur music, it's an acquired taste. It's almost cult, even at our level. It can mean nothing to somebody and it can mean everything to somebody else. — © Stephen Malkmus
?ur music, it's an acquired taste. It's almost cult, even at our level. It can mean nothing to somebody and it can mean everything to somebody else.
Maybe being oneself is an acquired taste. For a writer it's a big deal to bow--or kneel or get knocked down--to the fact that you are going to write your own books and not somebody else's. Not even those books of the somebody else you thought it was your express business to spruce yourself up to be.
We can't take a slipshod and easygoing attitude toward education in this country. And by "we" I don't mean "somebody else," but I mean me and I mean you. It is the future of our country-yours and mine-which is at stake.
I think a lot of these terms, nationalistic things, somebody is an American, or somebody is a Frenchman, or somebody is a Jew, I don't know, it doesn't mean anything to me. You really should start augmenting these words, saying what kind. If you want to say somebody is a Jew, what do you mean by that? Does he have blonde hair? I think a lot of these ancient nationalistic and ethnic terms have kind of lost their meaning, or their meaning is so broad, it's nothing. It's like he's connected to the ancient world. Everybody is.
Everybody's out to get something from somebody. 'Gold diggers' doesn't just mean money, it can mean time, it can mean feelings. It can mean anything when you're taking and not giving. When people don't know how to reciprocate.
The characteristic of the first sort of religion is imitation. It insists on imitation: imitate Buddha, imitate Christ, imitate Mahavir, but imitate. Imitate somebody. Don`t be yourself, be somebody else. And if you are very stubborn you can force yourself to be somebody else. You will never be somebody else. Deep down you cannot be. You will remain yourself, but you can force so much that you almost start looking like somebody else.
I mean, stand up you're by yourself and it's live and when you're acting, unless you're doing a monologue, you're interacting with somebody else. Even if you're doing a monologue you're saying it to somebody and it's not live so you can do it a few times.
Clarity is of no importance because nobody listens and nobody knows what you mean no matter what you mean, nor how clearly you mean what you mean. But if you have vitality enough of knowing enough of what you mean, somebody and sometime and sometimes a great many will have to realize that you know what you mean and so they will agree that you mean what you know, what you know you mean, which is as near as anybody can come to understanding any one.
[When people] say 'let's do something about it,' they mean 'let's get hold of the political machinery so that we can do something to somebody else.' And that somebody is invariably you.
A dirty player is somebody who ultimately is trying to hurt somebody. There's a huge difference. There's no gray in that. Like, you have no conscience, no nothing, no guilt. I don't have that mean streak in me. I don't play angry. It's not anger.
Being good to somebody is just like being mean to somebody. Risky. You don't get nothing for it.
The idea of the straight man is very important. But I'd rather it be somebody else, because it's not as fun. And when I say somebody else, of course I mean Jason Bateman. He's born to play boring characters because he's such a bore. He's one of the most boring human beings.
I think the purpose of a piece of music is significant when it actually lives in somebody else. A composer puts down a code, and a performer can activate the code in somebody else. Once it lives in somebody else, it can live in others as well.
In the future, when Microsoft leaves a security-flaw in their code it won't mean that somebody hacks your computer. It will mean that somebody takes control of your servant robot and it stands in your bedroom doorway sharpening a knife and watching you sleep.
I can spend somebody else's money on somebody else. And if I spend somebody else's money on somebody else, I'm not concerned about how much it is, and I'm not concerned about what I get. And that's government. And that's close to 40 percent of our national income.
We need to play like somebody took our lunch money, like somebody disrespected your mother. I think that's the type of anger you need have and the aggression you need to have on the court. That doesn't mean making mad faces or mean faces but it means attacking the glass, strongly attacking the rim when you have the ball on offense.
I am perfectly willing for my music to exist with somebody else's taste.
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