A Quote by Stephen Malkmus
Traditionally, when we lived here [in Portland], we have a record player in the living room, and there's lots of stuff playing, all different kinds of music. I don't listen to any of those Internet radio things. I have iTunes on my thing, but I've never bought a single thing on it. Except for "Call Me Maybe," for the kids or whatever. Carly Rae Jepsen.
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When radio stations started playing music the record companies started suing radio stations. They thought now that people could listen to music for free, who would want to buy a record in a record shop? But I think we all agree that radio stations are good stuff.
Early on, before rock 'n' roll, I listened to big band music - anything that came over the radio - and music played by bands in hotels that our parents could dance to. We had a big radio that looked like a jukebox, with a record player on the top. The radio/record player played 78rpm records. When we moved to that house, there was a record on there, with a red label. It was Bill Monroe, or maybe it was the Stanley Brothers. I'd never heard anything like that before. Ever. And it moved me away from all the conventional music that I was hearing.
I think people who basically do one thing like Eric Clapton is great. But I've always enjoyed playing different kinds of music and playing with different kinds of musicians because I find that really interesting, like learning and working with Kip Hanrahan. There's a great conga player called Milton Cardona and he taught me a lot of the nuances, he's a Santeria Priest and so he knows his onions as it were.
One of the wonderful things about the Internet is that it allows us to create lots of different kinds of content for lots of different kinds of people.
I got on the phone with the president of my label and I said, "Obviously, I write songs in a lot of styles and play a lot of different kinds of music. We're getting toward the end of our business collaboration. If you could envision a record that you wanted to hear from me, what kind of record would it be?" It wasn't like asking him to fill an order, it was really just a conversation. For all the things I'd ever asked him, this was one thing I'd never asked, and I don't know why. So I was curious. And the thing that he was most interested in hearing was a solo record.
I still listen to older music a lot more than new singers. I listen to whatever's on the radio, but when I want to listen to something that moves me I put on a Stevie Wonder record.
In the mid-'60s, AM radio, pop radio, was just this incredible thing that played all kinds of music... You could hear Frank Sinatra right into the Yardbirds. The Beatles into Dean Martin. It was this amazing thing, and I miss it, in a way, because music has become so compartmentalized now, but in those days, it was all right in one spot.
I got a reputation for being 'eclectic' or some damn thing like that, but to me, the different kinds of music I play are all the same stuff - good time music - and it is the only stuff I can do.
When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record. I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like. I can remember sitting up in guitarist Chris Walla's bedroom and for the first time in my life having this realization like, "Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play."
Our communication space is very fragmented today. We have a million different tools for different things with lots of different kinds of overlaps. The most natural way to try and solve that problem is to take all those different tools and try to make them smaller and fit into a single package and maybe integrate them across the boundaries.
Radio in my beginning days was going into a room for four hours, playing a bunch of music, and screaming about the artists... radio now has come out of the radio, on to the net, and on to video and on stages; it's a multiplatform thing. It's nothing I expected ever to see.
Statistically, Portland, Oregon has the most street kids, like kids that run away from home and live on the street. Its like a whole culture thing there. If you walk around on the streets, there are kids living on the streets, begging for money, but its almost like a cool thing. They all just sit around and play music and squat.
I never expect those type of dudes to even listen to my music but for one of those Juggalos to come up to me like, 'Man, that 'All My Life' record, man you was talking to me.' That struck me like, 'Damn, maybe people, you never know who's listening and who you might be touching with your music.'
The good thing about playing the guitar: You can take on different kinds of music. I'm always doing something different from the last thing I did because I have the shortest attention span on earth.
One thing I always do is listen to my iPod. I listen to whatever is kind of new on the radio, I am always downloading stuff.
I don't tend to listen to music in training, except maybe the radio in the gym. I do use music prior to racing though; it helps to fire me up plus it's good for blocking out the distractions around me.
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