A Quote by Stephen Malkmus

I'm just kind of a hippie. Age is not that relevant to the music. — © Stephen Malkmus
I'm just kind of a hippie. Age is not that relevant to the music.
For artists of my caliber, we're not played on the radio, so we don't really get a chance to get involved in that debate at all. We don't get a chance, because this weird kind of ageism exists in pop music. If you're past a certain age, you're not relevant. That's the kind of cliched term.
You might see someone with dreadlocks and label them a hippie in your head, but that doesn't mean they think of themselves that way. A lot of people look at me and see I have a beard and shaggy hair, and think I'm a hippie. I'm not a hippie, and I'm not not a hippie. I don't know what the f**k I am.
I'd say dance is as relevant to us as, say, pop. It's as relevant as electronica, as relevant as ambient or experimental music. I wouldn't say it's something we spend more time on than any other genre.
I have a lot of shame, and until I got sober at 42 years of age, I had never voted. I was just a hippie.
Jacksonville back in the 1960s was kind of a redneck town. There were only two or three places where you could play our kind of hard rock - or 'hippie music' as it was called back then. You had to go to Georgia or some place else.
People didn't relate to me as being Chinese or white, just being a hippie, a long-haired hippie.
I'm kind of lucky in the fact that I can take something that's in my head and write it down, or I can listen to a piece of music that somebody else has written and try to tap into what the music's saying and just kind of follow that, you know. I mean, nine times out of 10, I'm just kind of following where the music takes me.
The best music you make is relevant to the culture you are in, the timeframe you are in. I want to keep it as relevant as possible.
I care more about the fans in general, just making sure they enjoy what I do. And then also I kind of had this kind of ideal of the kind of music I want to make and what I'm aiming for kind of creatively and just the quality of the music that I'm trying to make. And I have that in my head.
I'd rather be more of the hippie country chick - as in, instead of pointing a finger, just maybe saying, 'We're all screw-ups. We're all in this kind of together. We're all just figuring this out.'
I hope people half my age and twice my age will listen to my music - I want it to live forever and for my audience to feel like they have a friend in my music. Music is a spirit. It heals. It's an amazing thing to be loved and appreciated, and sometimes, music has not just been my best friend, it's been my only friend.
I do have little trinkets. I'm a little bit of a hippie, so I have my wisdom rock - it goes with me; it's always in my purse, wherever I go. That's just me, being a hippie.
In the late 60's to the early 70's, I was caught between the hippie and the skinhead movement. I had my hair cut so I didn't look like a straight at a hippie event, and I didn't look like a hippie at a skinhead event. It was a good haircut.
I grew up in a hippie commune so I have a real hippie part of me.
I'm still grappling with all the things most people resolve by the time they're 35. Maybe that's why I make music that is relevant to young people. I'm emotionally stuck at the age of 13.
Music videos are so incredibly relevant, but I don't think they're relevant on broadcast television anymore. I think they're much more about the power of the Internet. The stakes in advertising is a very different game. There's a lot of money involved and a lot of pressure. I miss the freedom and the rock-'n'-roll spirit of doing music videos
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