A Quote by Stephen Mallinder

We also worked with Marshall Jefferson for Groovy, Laidback and Nasty. So we were lucky to work with some really great people. — © Stephen Mallinder
We also worked with Marshall Jefferson for Groovy, Laidback and Nasty. So we were lucky to work with some really great people.
I'm formally trained, I don't know what classically trained really means. I've worked with Sanford Meisner. And I've worked at Circle Rep with Marshall W. Mason and Lanford Wilson and some really good people. I was lucky. I had a lot of really good influences.
I've been really lucky to work with some really great film people in the past, but television works on a much quicker schedule, and it's the TV directors I've worked with that I looked to and became a big fan of.
I'm quite happy with the body of work that I've done, and I've done some really good work over the years that I'm proud of. I'm proud of some of the people that I've worked with, been lucky to have worked with.
You need an immense amount of luck and an immense amount of perseverance to even be on the playing field for success on a grand scale. You work as hard as you can for ten years so you finally have a chance to be lucky - It's really rare that somebody gets lucky. It's usually a combination of a lot of talent, a lot of hard work. People that get lucky also tend to be really great looking.
People who get lucky, also tend to be really great looking, which is luck on some level, but it is also just the fact of the matter.
The Nobel Prize in Economics is an incredible recognition for the work that my students, colleagues and I have done over the years. We all worked hard, but we were also lucky that the financial applications were so important.
I've gotten to work with some great people. I've been really lucky.
The point at which we worked with some of these actors, they weren't really stars yet. Nicolas Cage was not a big star when we did Raising Arizona. A lot of these people were also virtually unknown, too, when we worked with them first.
Practically everybody I've ever worked with, I'd like to work with again. I had a great time with the people that I've worked with, and the directors, and a lot of the casts. There's really nobody where you'd say, "Oh, I got X, Y, and zed again! Gahhh, no!" It really brings a smile to my face, because in 95 percent of the cases, people I've worked with, I'd be thrilled to work with again.
I've been really lucky to work with a lot of really great actors, so watching the films back, it's really important to admire the people that you were working with and see their full performance.
My father once said there's a correlation between a nation's cuisine and its people: England, nice people, nasty food; France, nice food, nasty people; Spain, nice people, nasty food; Italy, nice people, nice food; and Germany, nasty food, nasty people. And I've always thought that there must be something terribly wrong with the German character - and that there is, really.
I've been lucky, because people have done such great versions of my songs, and I've worked with the best singers ever, and I'm lucky that way.
Villains are always the best roles, but that meant that for months afterwards, all I got offered were absolute cads and bounders and really nasty pieces of work, as well as a lot of people who only had one arm. Such is the limited imaginative power, you see, of a great many casting directors.
I've been incredibly lucky throughout the beginning stages of my career up 'til now, and so lucky to work with the incredible people I've worked with.
I definitely count my blessings. I feel like I've had such a great ride. Early on, to be able to work with some of the people I did, I feel really lucky.
I think I've been lucky to work with so many lovely people. But there's Joshua Bell, who's the world's greatest violinist. We worked together live and once, for his record, but I really would want to work with him on one of my records.
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