A Quote by Stephen Mallinder
This was in the sense that if Dada was reacting to the morality and aesthetics of pre-WWI, then we were very much a reaction to the pomposity of rock that existed within music at that time.
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I think we saw our reaction coming from Dada, but at the same time, it formed into punk, which was very much a reaction to the social conditions. That was part of it for us as well, and that's why we were kind of swept along with punk.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
Jay Z in many ways is a rock artist. In the sense that they've used hard rock, punk rock, psychedelic rock aesthetics and influences in their music. When you see Kanye West, he has a full band playing. Jay Z has a full band playing with Marshalls.
I describe it ( the new aesthetics) 'radically': I say aesthetics = human being. That is a radical formula. I set the idea of aesthetics directly in the context of human existence, and then I have the whole problem in the hand, them I have not a special problem, I have a "holography" (reacting on a former suggestion of the public as a slight joke, fh) I don't know exactly what a holography is.. (1973
I did this film with Russell Crowe called 'The Water Diviner,' which took place just after WWI. It was fascinating because the weapons between WWI and WII were very different. I had to learn how to ride horses in a battle setting. It was important that we rode a certain way.
Back then and later on when I was in NEU! and Harmonia I was too much preoccupied with my own music to be aware of the German music scene, let alone following it actively. But changes which were happening with S.o.S. (namely the development of individual ideas and the effort to distinguish from the Anglo- American rock patterns) also helped me recognize other musicians within my immediate vicinity.
The reaction to any word may be, in an individual, either a mob-reaction or an individual reaction. It is up to the individual to ask himself: Is my reaction individual, or am I merely reacting from my mob-self? When it comes to the so-called obscene words, I should say that hardly one person in a million escapes mob-reaction.
Dada Dada Dada, a roaring of tense colors, and interlacing of opposites and of all contradictions, grotesques, inconsistencies: LIFE.
This life is only one of a series of lives which our incarnated part has lived. I have little doubt of our having pre-existed; and that also in the time of our pre-existence we were actively employed. So, therefore, I believe in our active employment in a future life, and I like the thought.
The other thing that I got back then - the Parker novels have never had much of anything to do with race. There have been a few black characters here and there, but the first batch of books back then, I got a lot of letters from urban black guys in their 20s, 30s, 40s. What were they seeing that they were reacting to? And I think I finally figured it out - at that time, they were guys who felt very excluded from society, that they had been rejected by the greater American world.
There are many fans of hard rock music that have been wrongly pigeonholed as apathetic. This music is not music for the elitist coffeehouse culture in SoHo. It' s rock 'n' roll music for kids across the land, and I think that makes it much more subversive in a way, in that it has the form and the function of a powerful, populist music, but it can carry very incendiary messages.
There was a time when pop music and rock music were really reaching for the stars and were not ashamed to be experimental. You think of a song like 'Shout' by Tears for Fears. That's a massive global No. 1 hit, and yet the subject matter is very dark.
We went through rock 'n' roll, which then became just rock, then punk rock, then the worst disease of all - rap music. It's an oxymoron, because rap is not music.
People who like progressive music tend to sneer at the idea of a kind of punk aesthetic, and people who like alternative indie rock or punk rock tend to sneer at what they see as the pretentiousness and pomposity of progressive music.
My daughter's first sentence was, 'Dada no hair.' And I was, like, 'No Jasmine, Dada does have hair, Dada just shaves his head.'
I think that it was really rock-and-roll stars, women who were breaking boundaries with their bodies and their voices and their beings and their music. I spent a lot of time at concerts,just watching women rock out. They expressed so much of what I believed could be possible.
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