A Quote by Stephen Mallinder
We were coming from a completely different place, which was saying "sound" is what you want to define it as, and you can shape it into music in whichever way you want.
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It's a completely different way of working when you have your own place for recording. It's like if you were a painter, and you do loads of painting, and you just pick which paintings you want to exhibit. It's a much nicer, freer way of making work; you're not limited to anything, and you can make these cool, weird little albums.
When I was coming up in Miami, the music in the city at the time sounded completely different. I loved it, but it just wasn't the type of music I wanted to make. I wanted my wordplay to be more sophisticated. I wanted the sound to be more lush. I wanted my music to sound like who I was and aspired to be - boss.
First of all, feminism is not man-hating, not man-berating. It is not saying we are better. It is just saying we want the same opportunities, and we want to be able to make decisions on our own without being judged for them. We want the same freedom men have enjoyed over the years, so I think that's the place where we are. And it's completely not mutually exclusive at all for how you want to look, how you take care of yourself, how you want to be, what you want to look like.
I do experiment with lots of different genres. In making music, I don't think of genre like, "I want to do this, because I'm going use that country music sound; I'm going use that hip-hop sound; I'm going use that acoustic [sound]." It's just making music. So now that I've traveled a lot more since I did Acoustic Soul, I'm sure that different sounds will come into place, because I have been exposed to it and I like it. But it's not so much of a conscience effort. It's mind and spirited. You know, we're humans.
A lot of times you'll hear bands and it's a different sound coming out than what's on stage. Because you can clean it up through a PA and make it sound completely different than what they really sound like.
It is agreed that all sound which is the material of music is of three sorts. First is harmonica, which consists of vocal music; second is organica, which is formed from the breath; third is rhythmica, which receives its numbers from the beat of the fingers. For sound is produced either by the voice, coming through the throat; or by the breath, coming through the trumpet or tibia, for example; or by touch, as in the case of the cithara or anything else that gives a tuneful sound on being struck.
Prince didn't want to sound like Michael Jackson. Neither of them wanted to sound like Luther Vandross. They didn't want to sound like David Bowie. They were all different, but brilliant.
To me, music shouldn't be ego-driven. When you go out on stage and play songs, it is. But when you're sitting in a room, writing songs, it's a completely different process. It's a completely different place. It's a creative place, a musical place. It has nothing to do with who likes what.
If I were retired I wouldn't know what to do because I'd have to think, well, now what is it I want to do? And what I want to do is what I'm doing. I enjoy coming up with new ideas, which if I'm lucky they might be good ideas. I enjoy seeing them take shape. And I'm having fun doing it. So I wouldn't know why I'd want to retire.
I have crazy, different influences in my songs. I want rap music, I want Congolese rumba, I want salsa, I want dance music, I want hip-hop music, all mixed into one!
I'm not saying we have power over everything in our lives - if that were true, my hair would look so, so different - but I am saying that there's no circumstance in which we are completely powerless.
We're all friends, inside the music and outside the music. I mean, we don't sound anything alike, we don't approach our music anything alike, but we come from the same genuine place. We want our music to be real and we don't want to compromise our art.
You can't always do that which you can do in your sleep. That doesn't fulfill an artist. You're looking for places where you can grow, in some way, whether it's a large way or a small way. I want to grow as an artist, as a person and as a woman. I want to enjoy myself and my life and the company that I'm keeping. I want to bring something to the table that's different than anything else would bring, but that has its place and value, and then keep moving.
The main thing is the ability to control your instrument, which, in the actor, is yourself. Look the way you want the character to look. Sound the way you want the character to sound. Once you've trained the instrument to do what you want, you're in control, and you're free.
In the past, I've written my songs and then asked friends if they could record the vocals. I didn't want to use my own voice, because other people have much better voices. I was hearing the music with a voice that I don't have. It was a case of pulling whatever resources I had to get the sound I wanted, but that doesn't take anything away from the authorship. They are songs written by me that sound the way I want them to sound. Whether it's my voice or someone else's doesn't make a difference to the music.
People tend to believe that I want to make soul music, which is not entirely untrue but, really, I want to be like the black Tom Waits - I don't want to make one kind of sound.
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