A Quote by Stephen McCauley

It's hard to describe the work of the British-born Australian writer Elizabeth Jolley without somewhat misrepresenting it. — © Stephen McCauley
It's hard to describe the work of the British-born Australian writer Elizabeth Jolley without somewhat misrepresenting it.
You know, not even your British Queen is called just Elizabeth - she's Elizabeth the Second. There's only one Imelda.
As an undergraduate, I took two writing workshops taught by Elizabeth Hardwick. She was certainly a major influence, though more as a writer I greatly admired than as a teacher. As for other writers, I think it's safe to say that my work has been and continues to be influenced to one degree or another by every writer whose work I love and admire.
I studied in New York. I fell in love with an Australian-born, half-Filipina girl. So we moved to Australia when she went to her university and I moved with her. We moved to Montreal because she was going to take her year abroad, and I wanted to see if I could keep on writing there. It's really hard to make it as a writer in the Philippines.
Too much research can be the writer's enemy. You can spend days on end in the British Library or prowling the streets with a Dictaphone, and it's easy to convince yourself that you're working hard. Often, it can be an excuse not to work; a classic displacement activity.
I figured that to be a writer I would need to have been born in the nineteenth century, be British, or have three names. So I turned my sights elsewhere . . . to acting.
In 1960, I married Laurose Becker. We have two children: Elizabeth, born in 1961, and Matthew, born in 1963.
We believe in the Australian promise; that if you work hard, you won't be left behind.
I think that if you have a knack for storytelling, and you work really hard at it, you'll have a chance to tap into something deep. But the fact remains that good sentences are hard won. Any writer worth a lick knows constructing a sentence, a paragraph, or a chapter is hard work.
The similarity between the big directors I've worked with is that they allow the writer to find a way of doing what they want done without saying 'do it this way.' They describe what they want, then letting the writer figure out a way to do it.
Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev.
While I am most at home in London, I cannot really label myself as either British or Trinidadian. I write in the English language and live in the U.K. I find it hard to say that I am an entirely British writer, especially when I supported Trinidad in the 2006 World Cup and also support the West Indies cricket team.
And I grew up watching all the British ones so when you hear that from an early age, it makes it much easier than you guys who don't grow up with Australian television or British television.
It is the nature of the writer to question the validity of his world and yet rely on his senses to describe it. From what other tension can great literature be born?
No one can teach writing, but classes may stimulate the urge to write. If you are born a writer, you will inevitably and helplessly write. A born writer has self-knowledge. Read, read, read. And if you are a fiction writer, don't confine yourself to reading fiction. Every writer is first a wide reader.
No one can teach writing, but classes may stimulate the urge to write. If you are born a writer, you will inevitably and helplessly write. A born writer has self-knowledge. Read, read, read. And if you are a fiction writer, dont confine yourself to reading fiction. Every writer is first a wide reader.
It's very hard to describe your own style. And I'm young, so I'm still experimenting. But I think it's quite British and very much about individuality.
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