A Quote by Stephen McCauley
I guess I have an aversion to writing about big events and heroic actions. The everyday has always seemed most important to me in writing, probably because I believe people reveal themselves in how they deal with small details.
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'Dreamsongs' allows me to show the scope of my writing - with personal commentary that puts the works in context and includes some autobiographical details intended to reveal how each piece came to be, what it represents, and how it has formed, or been informed by, my philosophy of writing.
I'm you and you are me. I'm a man and you're a man. When people understand the more they know Self, the real Inner Self of themselves it's the same physical structure you've got. The same things you deal with I deal with. Everything derives from the mind. What's funny is the mind is the hardest question and I guess that's why I'm always writing about it.
How do I do that preparation [for film]? Just an immersion. I have a musician's, I guess, ear for the sound of the voice but it's also important to me, in the case of [playing] someone who is controversial, to get the outlines of the character right because how they present themselves to the world has a great deal to do with how people feel about them.
It's just kind of seemed like a funny way to explore action movies, I guess. I mean, I'm a big fan of them always. It's always people who are very equipped to deal with the situations that they're thrown in. So, the notion just seemed funny, because it's, like, basically stoners are kind of the last guys in the world who are equipped to deal with that. And the humor possibilities just seemed somewhat endless.
People will ask me, "How do you approach writing books for young readers differently than for adults?" My answer is always: I don't change anything about the story itself. I'm going to tell kids the way things really were. What I don't do - and this is the only thing I do differently in writing for kids - is that I don't revel in the gory details. I allow readers to fill in the details as necessary. But I don’t force kids to have to digest something they’re not mature enough or ready for yet. If they are, they can fill in the details even better than I could, just with their imaginations.
I think all writers are mainly writing for themselves because I believe that most writers are writing based on a need to write. But at the same time, I feel that writers are, of course, writing for their readers, too.
Too much of Indian writing in English, it seemed to me, consisted of middle-class people writing about other middle-class people - and a small slice of life being passed off as an authentic portrait of the country.
But I think writing should be a bit of a struggle. We're not writing things that are going to change the world in big ways. We're writing things that might make people think about people a little bit, but we're not that important. I think a lot of writers think we are incredibly important. I don't feel like that about my fiction. I feel like it's quite a selfish thing at heart. I want to tell a story. I want someone to listen to me. And I love that, but I don't think I deserve the moon on a stick because I do that.
When I'm writing, especially when I'm writing in first person, I don't think about the characterization, or how they are going to express themselves, I just express my own approach to these things. I think most writers can never divorce themselves from their private lives and personas; they are the ones that are writing. And the more they remove themselves from their own persona, the more, perhaps, mechanical the work becomes.
A lot of people in the WWE try to paint themselves as outlaws and rebels and I really honestly believe I'm the only one left. I always do what I want and I never get any flack for it. I don't know if it's because they know they're not gonna win, or it's not worth fighting me over. Plus I don't see what the big deal is about me wearing a Cabana shirt. The guy should be working there, first of all, and it's promoting my friend. I don't see what the big deal is.
If I'm writing about a modern-day suburb, there's going to be details of the home and furniture, and if I'm writing about a historical period, those details, those pieces of the world are going to be there as well, but they'll be simplified, because I'm cartooning it.
If what you're writing is genuine, regardless of whether it sounds cliche or people wouldn't necessarily think it's the most brilliant metaphor in the world, it's always important to be genuine with what you're writing; at least, that's how I feel.
I became a writer because during several of the most important years of my life, writing seemed to me to be the most unreal, unattractive, and unecessary idea ever imposed upon the human race.
8th grade I started writing my own songs. They weren't good songs or anything, but it was always the song writing aspect of things that was important to me, I always just wanted to create a song it seemed like.
I'm always writing. A friend of mine once said, 'You avoid re-writing by writing.' Which is kind of a good point, because re-writing seems to be mostly about craft, and writing is just, like, getting out your passion on a piece of paper.
More than this, I believe that the only lastingly important form of writing is writing for children. It is writing that is carried in the reader's heart for a lifetime; it is writing that speaks to the future.
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