A Quote by Stephen McCauley

I wrote two novels about a yoga studio in Los Angeles published by Penguin under the pen name Rain Mitchell. — © Stephen McCauley
I wrote two novels about a yoga studio in Los Angeles published by Penguin under the pen name Rain Mitchell.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
In 'Blade Runner,' the here is quite enough: a vision of dark, cramped, urban squalor. This is Los Angeles in the year 2019, when most of the earth's inhabitants have colonized other planets, and only a polyglot refuse heap of humanity remains. Los Angeles is a Japanized nighttown of sleaze and silicon, fetid steam, and perpetual rain.
I love Los Angeles, and I've secretly always wanted to do a song about Los Angeles, but it's a hard thing to pull off.
My grandmother passed away before I could get to know her. She had an interest in films and writing. She wrote two novels under a pen name and encouraged women around her to pursue their dreams. So my family decided to start a school in her memory.
A contest was held in 1994 to rename the Los Angeles Convention and Exhibition Center after an extensive renovation and expansion. The winning name, chosen from over ten thousand entries, was the Los Angeles Convention Center.
In the late 1960s, Ontario Airport was a throwback to a bygone era. Located 35 miles east of downtown Los Angeles, the airport served only two carriers, Western and Bonanza. Passengers could catch regional flights to San Francisco, Sacramento, Las Vegas, Palm Springs, Phoenix and Los Angeles, and that was about it.
The studio rented a house for my wife in Los Angeles under a phony name to keep reporters away. Whenever I wanted to visit her and my children, I would have to sneak in the back door after dark.
I was totally romanticizing the idea of Los Angeles when the Doors, Joni Mitchell, and Neil Young were hanging out there.
I am proud to be in Los Angeles. I have a lot of fans that love me here. When you talk about the Meccas of boxing - Las Vegas, New York - now you have to talk about Los Angeles.
When I wrote 'Dopamine,' I was so enamored by Los Angeles and finally making music I was really excited about.
We've got the prettiest girls in the world here in Los Angeles and there's a great music scene. And I learned what I learned about cinema here in Los Angeles so it's always been really important to me as a city to live in and I love making movies about it.
My first published novel, American Rust, took three and a half years of full-time work to write. But I wrote two apprentice novels before that.
My first published novel, 'American Rust,' took three and a half years of full-time work to write. But I wrote two apprentice novels before that.
Sprawl is the American ideal way to develop. I believe that what we're developing in Denver is in no appreciable way different than what we're doing in Los Angeles - did in Los Angeles and are still doing. But I think we have developed the Los Angeles model of city-building, and I think it is unfortunate.
I was very headstrong about wanting to keep my name when I moved to Los Angeles. But casting directors would call my managers and say I was perfect for the part, but my name wasn't marketable - I was a young guy, and had the old man name of Gary. I kept losing jobs because of the name not being marketable, so I changed it to Garrett.
Lotus-land as it appears in 'Free Will' is simply a metaphor for an idealized background, a 'land of milk and honey.' It is sometimes also used as a pejorative name for Los Angeles, though that was not in my mind when I wrote it.
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