A Quote by Stephen Merchant
My twitter fans are all pretty weird. A lot of them are kind of weirdly sexually aggressive. Some of them made me laugh and then I instantly tried to forget them, because I'd hate to find myself in a bar kind of drunk and accidentally use one.
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The kind of loving women and men have in them and the ways it comes out from them makes for them the bottom nature in them, gives to them their kind of thinking, makes the character they have all their living in them, makes them then their kind of women and men and there are always many millions made of each kind of them.
I've obviously used fans - I wouldn't say all my life, because we couldn't afford them when I was young, but from my 20s and onwards we've had to use fans. And I've always loathed them. Everything about them. The way you adjust them, getting them at the angle you want. Carrying them. Cleaning them. The danger of putting your finger in them.
[On libraries] What's great about them is that anybody can go into them and find a book and borrow it free of charge and read it. They don't have to steal it from a bookshop... You know when you're young, you're growing up, they're almost sexually exciting places because books are powerhouses of knowledge, and therefore they're kind of slightly dark and dangerous. You see books that kind of make you go 'Oh!'
I'm seen as somebody who writes for adults because I'm an older man myself. Some of them find me, and a lot of them don't.
What I found was when I started my first study, and then in subsequent studies, is here you have people under some kind of duress, or I chose to study them because they represented some kind of historical event, as it impacted on them or as they helped to create it.
I don't like real places, but I don't like imagined ones either. I feel like I'm looking for some mixture and it's very hard for me to say because I like to use real place names because there's an uncanny feeling to them, but at the same time I don't ever really try to make them plausible. Sometimes I like to use them as a way to hide in plain sight a little bit, because to me a very exotic or imagined setting has a lot of weight and a lot of burden to it, and it doesn't suit me, but a real place seems to have its own weird legacy, so I don't know what the choice is?
I wish that I was dead. Oh, they'll be sorry then.
I hate them and I'll kill myself tomorrow.
I want to die. I hate them, hate them. Hate.
I try to share a lot of my life on Snapchat, Twitter, Instagram, everything. I really like interacting with fans on Twitter and answering their questions and just getting to know them because it's cool for them to have people who are connecting with my music reach out and show interest.
Being a sculptor who uses found objects, all the objects I use in my work have been designed by other people. So I'm tweaking them in some way by squashing them or throwing them off cliffs! Then I formalise my damage by suspending them or arranging them in some kind of way. So I'm using other people's design in a way, so I'm an 'un-maker.'
I have received some racist abuse, but you will never see me fighting back or being aggressive on Twitter. When I do reply, I try to be as kind as possible in order to change these people's opinions. If they look at me as a Muslim voice, and they are being negative and I am being aggressive back, that's only going to reinforce their opinion. So, there is a quite a weight of responsibility. I am constantly checking what I am saying and reigning in my anger. And, I never go on Twitter when I am drunk.
I basically use Facebook and Twitter and MySpace to communicate with the fans. I don't think it's necessarily about advancing my career, but I do want to be able to connect with my fans. They are so important to me, and a lot of them have stuck with me since the very beginning, and that means so much to me.
There's this idea, particularly in pop music and a lot of these pop father/manager types, that you're selling the person instead of the song. You basically want to create something that the fans relate to because it's exactly like them. So there's a lot of art that's made to be in the image of the audience, but then the audience is imitating this version of themselves. It's a really weird cultural feedback loop, and it's kind of strange to watch. It's a new thing since I was a kid, really a different thing.
I really connect with every character that I've played, just because I kinda have to; as an actor, you want to take them in and get to know them and like them; because they're evil, you kinda have to like them so that you can understand them and play them and play them with some kind of empathy.
I do have personal relationships with a lot of "fans," in quotations. I answer all my mail, I get emails from fans, and I try to answer them all. That's important to me, but occasionally there's the thing where people basically ask me to write book reports for them, and I don't have that kind of time. I feel like there's a certain sexism involved, like because I'm a woman I'm supposed to constantly be like giving to everybody.
I tend to write songs that are about something pretty specific. A lot of them tell some kind of little made-up story.
I invite a lot of my friends to some of the performances that I do locally, and some of them know that I'm involved with music, but they're not quite sure how. And so it's kind of fun to play golf with a lot of my friends and then invite them to hear me sing once in a while.
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