A Quote by Stephen Merchant

You hear some people saying, 'I'm alive on stage; it's where I feel most complete...' I don't understand that at all; I find that weird and depressing. I don't dislike the audience; it's just when I'm up there, they're in the darkness. There's just a sound of laughing or not. They're not 'people,' they're this big organism.
It seems like there's a lot of people who just do not understand satire. They think it's weird. There's people who just don't understand you portray something or just explore a character, it means you're condoning it, saying this is the way to live.
I feel like people have more in common than the news reports. People getting along doesn't sell very well in the news. I find that to be deeply depressing. I don't even talk about it on stage, because it would take too long to explain. I'd have to spend an hour on it to get people to understand what I'm saying because it's so instantly polarizing. Because cable news has kind of set up a construct where you're for or against something immediately. So if I said something about it, people would be for or against me immediately. And I don't want that.
I'm coming into places with some people who just want to hear what I did before, with some people who want to hear me with a band, but I am just at the moment sticking to my guns and saying, 'You know what? I want you just to hear this for a minute. I want it to be in the context of me and a guitar.'
I feel like, you know, some people like to wear colorful stuff. Some people like to be blacked down, and some people just want to be colorful. Some people just have weird problems. I'm never going to wear a pink sweater. Some people just do it because they feel like they can do it.
The fact is that comedy is actually too serious to be taken seriously. It may be that comedy touches such deep emotions that people feel better if they can just dismiss it as trivial. Just take a big belly laugh. I have watched people laughing, and for a moment they look-and are-absolutely helpless. Vulnerability. You can be assaulted while you are laughing.
I mean, let's face it, it's 2000 and people are beginning to wake up on some level. I think that, as I was saying earlier, there's just no denying the impact that showing people the truth can have. It allows people to understand themselves, and when you understand yourself you can understand the people around you. And then you can begin to let go of all the bullshit that leads into things like world wars, racism, stereotypes, and bigotry.
I'm very interested in vertical space.I want the players to listen to their sound in such a way that they hear the complete sound they make before they make another one. So that means that they hear the tail of the sound. Because of the reverberation, there's always more to the sound than just the sound.
I feel like with our shows it always feels weird to be performers on stage and not engaging in audience interaction in some way - that exchange of energy is very much a part of the sound.
When I've been on shows as a guest, I'm backstage, so I don't usually hear what the warm-up is saying, so I went and watched a couple of people do it and thought, 'Actually, I reckon this is do-able.' The audience is usually excited to be there; it's just getting a good chat with people.
When you say 'failure,' that seems really dramatic, but a lot of failure is just really depressing and mundane. I remember the first time I ever played a concert in Italy. I played a venue that held 900 people, and I think five people showed up. It wasn't a big, 'John Carter of Mars' type failure. It wasn't dramatic; it was just depressing.
Nobody has really gone out to Russia to fight somebody like Kovalev. A lot of people are paying attention to it and can't believe what I'm doing. Some people think I'm going to pull out. I've seen comments saying 'Oh this is a good publicity stunt' and I was just laughing. They don't understand.
Growing up, I was so shy, but it was weird because I was the complete opposite on stage. I was just free to be myself.
That's how I feel, oddly, when I walk on stage in front of 20,000 people, and it's crazy, the madness: I feel the most relaxed and free, and all of my worries and troubles just are gone. Just I feel the most present in that moment.
I guess I just use the word vibe in pretty much everyday context and every sentence I possibly can. Some people find it hilarious, some people find it cool, some people find it infuriating, but ultimately it's coming out of my mouth so as long as i I like the sound of it who cares too much what anyone else thinks?
People dressing up as you is always a weird experience. Or sometimes you get the odd person who genuinely believes that you are your character. I've had that happen where I'm like, "No. No. No. Call me Sophie. It's OK." And they are like, "No my lady. I can't!" And it's really weird. But some people just find it difficult to separate that kind of thing.
What social media has done - Facebook, Twitter - is show the audience. I don't have an audience. When I make my work, it just goes out into the ether. I have a thick skin and it just brings me down to earth, you know, to realize how out-there and far away and paltry the audience is that gets what I'm saying. It's depressing if I let it get to me. And it's the same with hanging a show, the way it's put up, like, three stories high and you can't read a single word.
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