The interesting thing about 'True Blood' is that its appeal is not contained to teenage girls. I get stopped in the street and questioned by 70-year-old men whose wives and daughters are making Bloody Marys and throwing 'True Blood' parties.
At one point I had a stretch where it was working on 'In Treatment,' then 'True Blood,' then 'Durham County,' then 'True Blood,' then 'In Treatment' again. If I didn't have that little dose of 'True Blood' in the middle, I might have lost my mind.
On 'True Blood,' the character's name is Sookie Stackhouse, and my name is Suki Waterhouse. So, I get people saying, 'Oh, I thought we were meeting the girl from True Blood.'
Co-writing the 'True Blood' comic is a dream come true both as a performer on the show and as longtime comic fan. It's a real privilege to build on the rapidly growing 'True Blood' mythology.
He only is advancing in life whose heart is getting softer, whose blood warmer, whose brain quicker, whose spirit is entering into living peace. And the men who have this life in them are the true lords or kings of the earth they, and they only.
In this age of vampires, what I love about 'True Blood' the most is that it's a post-modern take on it. 'Sookie Stackhouse' series author Charlaine Harris and 'True Blood' creator Alan Ball turned that whole mythology upside-down... It's not just about vampires. It's about a lot of different things.
Ford carried on counting quietly. This is about the most aggressive thing you can do to a computer, the equivalent of going up to a human being and saying "Blood...blood...blood...blood...
I was nervous when I first started True Blood because if you do a play or a movie, you know the complete arc of the character. You can see the end. But with a show like True Blood, you don't know what's going to happen.
From 12-year-old girls to 70-year-old matriarchs, I know hundreds of women who have some sort of body image issue. This is sad and seriously worrying, but it's true, and it's why I feel some kind of social responsibility to do what I can to show a variety of body types in fashion magazines.
Film and theater are about misdirection and making the audience see something. I find it interesting. One of the things we do in 'True Blood' is shoot all of our stunts in camera. Instead of doing some kind of visual effect, we try to make it happen.
To me, the most interesting part of 'True Blood' is that the entire crux of the show is based on identity and finding your true identity.
Anything that is as old as racism is in the blood line of the nation. It's not any superficial thing-that attitude is in the blood and we have to educate about it.
True Blood and Buffy are both horror-based shows, but I think that they're extremely different from one another. I think it's really cool that I've been able to do True Blood and then this. It's really nice career-wise for me.
As mothers and daughters, we are connected with one another. My mother is the bones of my spine, keeping me straight and true. She is my blood, making sure it runs rich and strong. She is the beating of my heart. I cannot now imagine a life without her.
I really feel like 'True Blood' is a big, giant slice of cake for the audience every week; it's offering people 60 minutes of sometimes thought-provoking entertainment. If you're gonna give an Emmy out, you should probably give it to the audience of 'True Blood.'
I make about two movies a year outside the 'True Blood' schedule. I work on a great show six months a year, then outside that I get to satisfy whatever creative urges I have. It's a great position, especially for a single guy like me.
The first job I booked was on 'True Blood.' I played a blood siren.