A Quote by Stephen R. Bissette

The power of monsters is, it is a way of giving almost tangible substance to fears, beliefs, things that aren't real. You can coalesce it and draw it, or describe it, and it's a monster.
Fears that formaldehyde from vaccines may cause cancer are similar to fears of mercury and aluminum, in that they coalesce around miniscule amounts of the substance in question, amounts considerably smaller than amounts from other common sources of exposure to the same substance.
Oh," the girl said, shaking her head. "Don't be so simple. People adore monsters. They fill their songs and stories with them. They define themselves in relation to them. You know what a monster is, young shade? Power. Power and choice. Monsters make choices. Monsters shape the world. Monsters force us to become stronger, smarter, better. They sift the weak from the strong and provide a forge for the steeling of souls. Even as we curse monsters, we admire them. Seek to become them, in some ways." Her eyes became distant. "There are far, far worse things to be than a monster.
Monsters almost always are culture's way of working out their fears.
Monsters are very real. But they're not just creatures. Monsters are everywhere. They're people. They're nightmares...They are the things that we harbor within ourselves. If you remember one thing, even above remembering me, remember that there is not a monster dreamt that hasn't walked once within the soul of a man.
I always enjoyed doing monster books. Monster books gave me the opportunity to draw things out of the ordinary. Monster books were a challenge - what kind of monster would fascinate people?
Monsters almost always are culture's way of working out their fears and are thus inherently incredibly interesting and powerful.
Monsters are a departure from 'reality' in a way that allows for a range of fantastic possibilities. I mean this within the world of literature as well as in regards to art. When I sit down to draw, I'm energized by the possibility of creating a monster. That is where I find beauty and pathos.
My plan was to never get married. I was going to be an art monster instead. Women almost never become art monsters because art monsters only concern themselves with art, never mundane things. Nabokov didn't even fold his own umbrella. Vera licked his stamps for him.
Sometimes the monsters are real, Anita. Sometimes they’re real and the only way to defeat them is to be the bigger monster.' - Chang Bibi to Anita
The way I love monsters is a Mexican way of loving monsters, which is that I am not judgmental. The Anglo way of seeing things is that monsters are exceptional and bad, and people are good. But in my movies, creatures are taken for granted.
I'm a big fan of monsters. Number one, they're fun, and two, they're such great ways to access the subconscious fears and beliefs of any group of people.
THOUGHT is the only power which can produce tangible riches from the Formless Substance.
Being asked to describe what 'post-racial' means is a bit like being asked to describe a leprechaun, cold fusion or unicorns: we know what is meant, but, if we are willing to be honest, we also know that none of the four describe something real, something tangible, something true.
The monsters and creatures were always scarier when they felt very real and tangible, and there's something about CG that lessens the impact of it.
The living always think that monsters roar and gnash their teeth. But I've seen that real monsters can be friendly; they can smile, and they can say please and thank you like everyone else. Real monsters can appear to be kind. Sometimes they can be inside us.
Theres nothing to fear but fears themselves, such as monsters, rejection, food poisoning, redundancy, monsters, and oxford commas.
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