A Quote by Stephen R. George
I'm a fan of short horror fiction... in fact, the most memorable horror I've read is of the short variety... but I have a hard time pulling it off myself.
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On the other hand, now that I'm not dependent on fiction for my income, I've been writing more short stories despite the fact that there's no real paying market for short horror other than Cemetery Dance.
Many of my short stories (all unpublished) were horror, and the novel I'd just finished was horror, too.
In the early 2000s, I started selling some short stories to horror markets. I joined the Horror Writers Association.
I think I've covered every other genre. The truth is, I'm a horror fan myself. When I started in this business, horror wasn't cool. But it's cool now. Horror attracts A-list talent. That wasn't the case when I started.
I'm mostly a novelist these days, but I have written short stories in Fantasy, Science Fiction and horror.
I'm a fan of films in general; I mean, I don't think I've ever considered myself specifically a horror fan even though I do enjoy horror films, find them really entertaining.
I'm not a horror fan. I'm an anti-horror fan. I think horror fans feel deep down in the pit of their souls, they feel safe, and therefore bored. And therefore they want to be scared.
I always laugh because people assume I love horror because I do a horror movie, but I'm not a huge horror fan.
The definition of horror is pretty broad. What causes us "horror" is actually a many splendored thing (laughs). It can be hard to make horror accessible, and that's what I think Silence of the Lambs did so brilliantly - it was an accessible horror story, the villain was a monster, and the protagonist was pure of heart and upstanding so it had all of these great iconographic elements of classic storytelling. It was perceived less as a horror movie than an effective thriller, but make no mistake, it was a horror movie and was sort of sneaky that way.
As a horror movie fan, I was very obsessed with horror films. Still am. I love the genre. For me, horror films are opera, and they are... instead of consumption killing off the young lovers, it's Jason Voorhees or Michael Myers. It is when the stakes are at their absolute largest in a story: whether somebody is going to live or die. In a way, it's just holding up a mirror to life.
I had always loved horror films, so I wanted to do something in the horror genre but wanted it to be sweet and charming at the same time. Because there's a difference between watching horror, where you can leave it behind, and writing horror, where you have to live in it for months and months at a time.
The chief difference between horror fans and science fiction fans lies in why they won't walk backwards. A horror fan won't walk backwards because he knows he'll be knifed by a madman. A science fiction fan won't walk backwards because he knows he'll step on the cat.
I've always been a fan of books that create an interesting blend of fact and fiction - whether it's Norman Mailer, or 'The Short Timers,' or 'In Cold Blood.' I'm a fan of that genre.
I have never written a book that I wouldn't want to read. The trouble is, I love to read horror, sf, fantasy, mysteries, hero pulps - romantic fiction, in the original, traditional meaning of that term, as opposed to mimetic fiction. But most of all, I love thrillers.
Horror movies scare me. I don't really watch them. I'm not a big horror genre fan. I like certain classic horror - like 'Alien', 'Jaws', 'The Exorcist', stuff like that.
I've been fortunate in that the films I've worked on in the horror genre are themselves not pure horror, and have allowed me to write in a wide variety of styles. Those scores contain elements of fantasy, drama, action, comedy... really all types of scoring, and that gives the horror moments more impact. As for scoring the horror moments, I do like approaching the music from the psychological aspect, scoring to the characters' thoughts, emotions, motivations and such.
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