A Quote by Stephen R. George

For the novels I wrote before selling anything, I didn't outline much. I had a vague idea of the story. — © Stephen R. George
For the novels I wrote before selling anything, I didn't outline much. I had a vague idea of the story.
I never outline my novels before I write. I do have a vague sense of beginning, middle, and end at the outset of each book, but for me, writing has always been a very character-driven process.
I've found that in fiction - and this is just the kind of writer I am - I can't really work from an outline. I have a vague idea of the characters at the beginning of the book, and then I have a vague idea of whatever the end of the book will be, but I can't approach creative nonfiction like that.
When I sat down and wrote the first paragraph, I was like, 'Oh, I can go with this.' I didn't do an outline. I didn't do anything. I just wrote sentence by sentence, not knowing where the story was going.
An outline is crucial. It saves so much time. When you write suspense, you have to know where you're going because you have to drop little hints along the way. With the outline, I always know where the story is going. So before I ever write, I prepare an outline of 40 or 50 pages.
I always wanted to write novels, even before I had read a lot of novels or had a very good idea of what they were.
I had written a story. I wrote the story out of some desperation, really, and I didn't know I was writing a story, and it took me years. And when I finished, a friend of mine had the idea that the story should be read as a monologue in a theater.
My last point about getting started as a writer: do something first, good or bad, successful or not, and write it up before approaching an editor. The best introduction to an editor is your own written work, published or not. I traveled across Siberia on my own money before ever approaching an editor; I wrote my first book, Siberian Dawn, without knowing a single editor, with no idea of how to get it published. I had to risk my life on the Congo before selling my first magazine story. If the rebel spirit dwells within you, you won't wait for an invitation, you'll invade and take no hostages.
It was a roller-coaster process. For a long time I had no idea what I was doing. I wasn't writing with an outline. And, rare for me, I wrote scenes out of sequence. . . . I didn't understand the play when I wrote it. It was something I'd give in to. It happens to me periodically. I give over and write whatever comes to me and I don't know what it means and then I do. It's thrilling.
I had wanted to be a writer for a very long time, but I had no talent for finishing books. I would start them, get about 20,000 words in, and come to a screeching halt, because I had no idea how to outline a story or what my own process as an author was.
I wrote about four novels before I wrote a word of journalism.
It's absolutely of no importance who or what V was under the mask. He isn't a who or a what, he's an idea. The thing is, you couldn't continue it. Now and then the idea of a sequel has been raised, in vague forms, but I think it would be a bad idea. The story's finished.
I wrote Rick before I was published, and I had no vision of it, really. It was just a story that occurred to me, and that put its little claws in my brain, and I wrote it, and I showed it to a couple people, and they all said, "This is ghastly."
I don't start a novel until I have lived with the story for awhile to the point of actually writing an outline and after a number of books I've learned that the more time I spend on the outline the easier the book is to write. And if I cheat on the outline I get in trouble with the book.
I was writing all my childhood. And I wrote two novels when I was 17, which were terrible. And I'm not sorry I threw them out. So, I wrote. I had to write. You know, the thing was, I had no education.
A lot of people think that they are really cool because they don't outline. In my writing group, they would say, "I will never outline. I let the characters take me." C'mon, man - I outline the story, but it's only like one page. It's a list of possible reversals in the story, like things where everything will just change because of this certain reveal or this certain action. Then I start really digging into the character because, to me, I don't care what the story is.
The way that I write novels in particular is I don't usually outline; I just write. Part of the fun is discovering what's happening in the story as I'm going along.
This site uses cookies to ensure you get the best experience. More info...
Got it!