A Quote by Stephen Rea
I believe some people in this business suffer from fame because they behave in a famous fashion.
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I'm not a celebrity or near celebrity. Sometimes people will say, "You're famous" and that stops me right there. What does fame mean? Fame is in the eye of the beholder. So, if somebody wants to call me 'famous', that's their business. I'm just me, a guy who messes around with airplanes and writes books that make sense to him.
I'm lucky right now because I'm not that famous, people will look at the work just as the work, and people respond to it pretty well. It's just hard to know exactly what group I need to meet and where I need to be. I think fame helps, but I want it to be separate as much as it can. Fame is just so weird, people just love famous people.
To put it simply - you know, a lot of people believe that the benefit of this job is fame and fortune. I believe that you pay for the fortune through the fame. I don't buy into the notion that being famous is somehow a good thing, or an exciting thing, or a wonderful thing.
As someone who was born and raised in Los Angeles, I was really interested in the idea of people who move here to get into the business, and some of them do become famous and then oftentimes they fall out of that fame in very terrible ways.
You can't please everyone. Just because I don't behave a certain way, some folks will say you don't have any street cred. I've pretty much had to put up with that since I was a little kid, just because I was raised to communicate in a certain fashion. Some people didn't like it.
Somewhere along the way, we made it unpopular to value oneself outside the structure of fame. We created these new categories, even - reality stars, YouTube stars, Instagram-famous, Twitter-famous - when we enlarged the fame game board to allow new valuations within the fame structure to accommodate as many people as possible.
Fame changes everything. When you're well-known, you're expected to be different. Some people assume you must have a yacht and four homes. Or that you're famous because you are 'A Decent Man'.
The time of getting fame for your name on its own is over. Artwork that is only about wanting to be famous will never make you famous. Any fame is a by-product of making something that means something. You don't go to a restaurant and order a meal because you want to have a sh*t.
To me, music is art and fashion is art, but fame? Fame isn't art, but the person you become when you're famous - your alter ego - that's art.
Fame just ain't a natural situation. But I shouldn't have worried because everyone thought I was a bit famous even before I'd done anything; people just assumed I was famous.
As for fame, fame felt like nothing. Fame was not a sensation like love or hunger or loneliness, welling from within and invisible to the outside eye. It was rather entirely external, coming from the minds of others. It existed in the way people looked at him or behaved towards him. In that, being famous was no different from being gay, or Jewish, or from a visible minority: you are who you are, and then people project onto you some notion they have.
Is fame without purpose and is fame without talent really where we are now? People used to be famous for what they did. Now, they're just famous.
Fame you'll be famous, as famous as can be, with everyone watching you win on TV, Except when they don't because sometimes they won't.
If it's just a pastime, keep doing it because it's relaxing and to blow off some steam. But if you're not sure if you want to do it, or you're thinking you can be famous, you shouldn't do it because you want to be famous. You have to do it because you love it and you want to play for people. And if that's what you want to do, then do it, but you can't go into it with that mindset of "we'll be in a band and we'll be famous."
This business of fame - when people ask me what it was like growing up in this famous family, I say, 'When you take it seriously you're in a lot of trouble.'
Fashion has been collected and exhibited for many years. People were picking up clothing of famous individuals, like Marie Antoinette's shoe or Napoleon's hat. That part of the resistance to having fashion in museums had to do with it being associated with femininity, and with the female body. Yet, as early as the 18th century, some people were recognizing that just as you collected art, you, might think about collecting fashion for museums, because it would provide insight into the way people thought about their lives and, and the way they envisioned themselves.
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