A Quote by Stephen Rea

Angel was the first Irish feature film. Neil's first movie and my first movie. — © Stephen Rea
Angel was the first Irish feature film. Neil's first movie and my first movie.
I always believed in if you give your best, people will see it, and it moves to the next level. I got my first movie, and I gave it my best. Before I was done with that movie, I was offered my first feature film.
'Insidious 2' is a direct continuation of the first movie. We literally pick up from where we left off at the end of the first film. And whereas the first movie is a twist on the haunted house genre, the second movie is a twist on the classic domestic thriller.
When I worked on 2001 - which was my first feature film - I was deeply and permanently affected by the notion that a movie could be like a first-person experience.
My very first acting gig was in a movie for Russ Parr. He did this movie called "Love for Sale," and that was my first role in any film.
My very first acting gig was in a movie for Russ Parr. He did this movie called 'Love for Sale,' and that was my first role in any film.
I was in a movie called 'Vanishing on 7th Street,' and that was my first leading role in a movie. It's an apocalyptic thriller, and it's really cool. It's the first movie I ever shot.
My first feature film was a movie called 'A Gunfight,' with Kirk Douglas, Johnny Cash, Karen Black, Jane Alexander, Raf Vallone... It was shot in Santa Fe, Mexico, in 1970, and it was directed by Lamont Johnson. It was the first gig I did when I got to California from having done 'Hair' in New York on Broadway for a year. It was a Western, though! But that film was not a successful release.
For my first movie, I think my first cut was like three hours, because when you first direct a movie, you want to keep everything. But I'm not one of those directors who falls in love with the stuff they've done. Already when I'm doing my first cut, I'm willing to cut out everything that is necessary.
The first thing I did as a child was draw. I wanted to make animated movies. I think Disney's 'Cinderella' was the first movie I ever saw. 'Peter Pan' was the first movie I ever saw in the movie theater. I grew up with 'Dumbo' and 'Pinocchio' and 'Sword in the Stone.' Those were the movies I wanted to make.
'E.T.' was the movie that made me want to make movies in the first place, and it was the first movie that made me focus on writing instead of what happens in the movie.
When I made my first film, it was just an adventure. But after my first movie, I guess I got more of a feeling of what was happening around me.
You live and die two or three times making a movie. First, you write it, and the first pivotal moment comes when you can get it made. The second is in the process of making it, when the movie reveals itself to you, its flaws and its virtues. Then the most unnerving moment is when that movie is then launched into the world. It’s like bringing your kid to the first day at school and somebody points out that it has bowlegs, it is cross-eyed, or it’s gorgeous. You feel very exposed.
We made 'Mickey and the Bear' with barely any money with a first-time director, a first-time director of photography, and a crew who had just graduated from NYU film school. We were all very much in this together for the first time. There's no famous actor or big explosions. It's not a Marvel movie. I thought nobody was going to see this film.
First time films are hard. Even with some of the greatest directors, you look back at their first film, and you are just going, 'That movie is kind of bad.'
I actually heard hip-hop before I saw a movie in a movie theater. I heard hip-hop first, at the tender age of seven, so that came first. I didn't see a movie until I was eight.
The first important movie that I did, I shaved my head for the movie. When the hair grew back, I had white hair for the first time in my life.
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