A Quote by Stephen Rodrick

Rick Rubin's undulating face hair is just as famous as his body of work. In homage to the yogis he read about as a boy on Long Island, Rubin hasn't shaved since he was 23. It's long been his registered trademark.
Unfortunately, like, homework and school wasn't the thing that I was obsessing over. It was, you know, music and making music and how to like - and drum machines. And we met Rick Rubin, and Rick Rubin had a drum machine. So I would just cut school and go to his house - his dorm room.
I met Rick Rubin through Cat Collins, a DJ friend of mine that had worked for Rubin at American Recordings.
Rick Rubin had his hair - I don't think it's ever been cut and very - dresses like a hobo, usually - clean but . Was the kind of guy I really felt comfortable with, actually. I think I was more comfortable with him than I would have been with a producer with a suit on.
I found in Rick Rubin a kindred soul. When I visited his home and looked in his library, I saw he was reading the very same New Age books I had picked up the month before.
Rick Rubin and my father had a great friendship and it's because of it that the work my dad did at the end of his life was created - that he felt creativity and invigorated again, even though he was being consumed by frailty.
Rick Rubin's amazing, by the way. I just need to say that.
My contract with mercury PolyGram Nashville was about to expire. And I never had really been happy. The company, the record company, just didn't put any promotion behind me. I think one album, maybe the last one I did, they pressed 500 copies. And I was just disgusted with it. And about that time that I got to feeling that way, Lou Robin, my manager, came to me and talked to me about a man called Rick Rubin that he had been talking to that wanted me to sign with his record company.
Rick Rubin eats no cheese.
What I said, what are you [Rick Rubin] going to do with me that nobody else has been able to do to sell records with me?
The Nike joint 'Classic' with Kanye, Nas, KRS-One, that was a remix - Rick Rubin did the original, and his was a double-time tempo; mine was a regular boom-bap tempo, and they liked it so much that we ended up doing the video to it.
It was Rick's Rubin idea to have the 'Brooklyn' verse repeat. It already was a story, but having that made it a folk song. Instead of this rambling march of verses, Rick understands that music needs hooks. You need that repeated chorus, that everyone can sing along to.
You know what, if Rick Rubin would produce another Geto Boys album I'd do it.
Dave Fortman really helped me appreciate Rick Rubin as a producer.
My long, blonde hair has been my trademark ever since I started modelling in the Seventies, when I was scouted sunbathing in St Tropez.
Yes, I want to work with Rick Rubin. Yes, I want to work with Trent Reznor. Yes, I want to work with Madlib. Yes, I want to get with all these wonderful people. Collie Buddz, Marsha Ambrosius. I just want to go, man. I'm gonna keep on making music.
The biggest thing Rick Rubin taught me is that you don't get any extra credit by doing everything yourself.
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