A Quote by Stephen Root

My whole career, I've tried to bounce back and forth between everything, and not get typed out. I've done a pretty good job of not getting typed. — © Stephen Root
My whole career, I've tried to bounce back and forth between everything, and not get typed out. I've done a pretty good job of not getting typed.
Being typed is not important. For a while vou are typed as one thing. You get out of that. Then you are typed as something else. You can break away from everything except comedy. It's fatal to be typed as a comedian. You can't get out of that.
Just because something is typed-whether it is typed on a business card or typed in a newspaper or book-this does not mean that it is true.
on that piece of white paper, sam wrote, "write about me sometime." and i typed something back to her, standing right there in her bedroom. i just typed. "i will.
Go is an attempt to combine the safety and performance of statically typed languages with the convenience and fun of dynamically typed interpretative languages.
I'm in kind of a strange position - I have a strong Australian career and a strong British career. Then there's the American career. For every movie I do here, I do two somewhere else. I bounce back and forth between the three places.
I suspect many people have the problem that they type much more slowly than they think. Consequently, they keep resynchronizing their thought processes with what they have typed so far, and they match a later part of the thought with an earlier part that they have typed.
I feel very blessed in my career to have been able to bounce back and forth between different things, television and film, comedies and some dramas, but I am, um, as long as the script inspires me and there good people, that's it. I'm in.
I've been typed as a horror writer, and I've always said to people, "I don't care what you call me as long as the checks don't bounce and the family gets fed."
I highlight everything I find interesting, and then type out everything I've highlighted, and then print out everything I've typed, and reread these printed notes as often as possible.
I write in the weirdest places. I wrote 'Girl on the Coast' in my car with the kids in the back and Eric driving. I just wrote the whole thing on my phone. I just typed out the lyrics.
To my mind, nothing is as important as good writing, because in literature, the walls between people and cultures are broken down, and the things that plague us most—suspicion and fear of the other, and the tendency to see whole groups of people as objects, as monoliths of one cultural stereotype or another—are defeated. This work is not done as a job, ladies and gentlemen, it is done out of love for the art and the artists who brought it forth, and who still bring it forth to us, down the years and across ignorance and chaos and borderlines.
I'd had 12 different job titles in publishing before I typed 'The End' at the bottom of a manuscript page. I thought the manuscript was in great shape; I was pretty proud of myself. Then I sent it to some publishing friends, and they tore it apart.
My assignment was in the communications office, where I typed out dispatches.
The dream as an actor is being able to bounce back and forth between different things.
I wrote out little mysteries in longhand, and my mother typed them out on an old Remington.
I once dreamed a whole short story. Wrapped in its peculiar atmosphere, as if draped in clouds, I walked entranced to my desk at about 4 A.M. and typed it on to the screen.
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