A Quote by Stephen Shore

As not a native, I have the advantage of not seeing scenes habitually. I can see things fresh. — © Stephen Shore
As not a native, I have the advantage of not seeing scenes habitually. I can see things fresh.
There were few people, perhaps, more passionately fond of travelling, and seeing fresh places, and new scenes, than myself; but now, since, by the grace of God, I have seen beauty in the Lord Jesus, I have lost my taste for these things.
I like the idea of seeing a film that has the artist's hand in there,a film where you can see his strokes, you can see his working patterns. It's like going to a museum and seeing a Renoir drawing. You want to see their work and you want to see how they put it together. For me to see that in animation is really fresh, it's really exciting, it's really original.
I hope to take advantage of the Netflix organism and see if there are ways to get in new material and see if there are ways to do deleted scenes.
There's something about seeing a movie that you like, and being able to see the scenes that didn't make it, just as a window into the process of how choices are made and how a movie is made. To me, the idea of getting to have the scenes on the DVD is very exciting.
The danger is that you can wind up doing tourist pictures. I want to see it fresh and see the little bits of everyday life that a native might take for granted, but that are special to the place, while at the same time, not taking a picture that would be a tourist cliché.
Back in the day, we ate fresh; our parents cooked. Now, we're starting to think things are fresh because they're in a can, they're in a box, or they're frozen. That's not fresh. It's difficult to get real fresh.
I've gotten to work with people like Kristin Chenoweth and Chita Rivera... Seeing their process is so interesting. Seeing that these people aren't immortal - that they go through the same motions as we do and ask for feedback and break down scenes... They have to work, too, and that's really exciting to see.
I'm not interested in seeing dance die. It's not to my advantage. Nor is it to our culture's advantage or anybody else's.
I often don't like seeing how different things are made. I'm not a big fan of behind the scenes stuff.
Things aren't always what they seem You're only seeing part of me There's more than you could ever know Behind the scenes.
You can look at things all your life and not see them really. This ‘seeing’ is, in a way, a ‘not seeing,’ if you follow me. It is more of a search for something, in which, being blindfolded, you develop the tactile, the olfactory, the auditory senses —and thus see for the first time.
I think there's a danger of becoming too familiar with things, isn't there? That you kind of, when you're used to seeing the same things every day, you see those things come what may, and you don't see maybe the interesting things just slightly out of view behind them.
You can’t go on “seeing through” things forever. The whole point of seeing through something is to see something through it. To “see through” all things is the same as not to see.
You see the one thing I've always maintained is that I'm an American Indian. I'm not a Native American. I'm not politically correct. Everyone who's born in the Western Hemisphere is a Native American. We are all Native Americans. And if you notice, I put American before my ethnicity. I'm not a hyphenated African-American or Irish-American or Jewish-American or Mexican-American.
Once you've seen certain things, you can't un-see them, and seeing nothing is as political an act as seeing something.
My work isn't about form. It's about seeing. I'm excited about seeing things, and I'm interested in the way I think other people see things.
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