A Quote by Stephen Shore

A lot of the photography I'm doing and thinking about is directed at Instagram. — © Stephen Shore
A lot of the photography I'm doing and thinking about is directed at Instagram.
To me, traditional approaches to doing photography and thinking about photography feel increasingly anachronistic.
As for Instagram, I follow about 100 people, but I am not interested in what a designer is doing or what a friend of a friend is doing. I upload my photos on Instagram.
Andy Ackerman directed the episodes that I was doing, and he directed a lot of Seinfeld [episodes]. And that was great.
I think that we're our own worst enemies in a lot of ways, especially when it comes to doing work where you're criticized a lot or doing work where there's a lot of hater directed at you; and to not constantly second-guess yourself.
I did a lot of work without thinking about it in a calm, rational way. Stopping and thinking about what I was doing made my music calmer and deeper in tone.
Instagram has said plenty of times that I'm pregnant, Instagram has said a lot of things about me that are not true, so I don't even know where that's coming from.
My paintings have an ongoing dialogue with photography. There are many painters who would say the same, I'm sure. The difference is that I'm thinking more about the temporal aspect of photography, rather than the visual.
The fact that people look at pictures so tiny on Instagram - people ask me about it popping on Instagram, but I didn't alter myself to be that. I didn't change for the screens, I've just been doing me.
I think photography is so hard. To be working in video and photography the past 20 years - because I was doing it in high school - you're dealing with mediums that change culture. The way they are distributed, disseminated - it's changed so dramatically. One of the things I always like to do is look at the structure of something and detach myself from the structure and figure out how to slightly alter it. So if the structure itself is constantly liquidated, it just really is difficult for me to really even know what to think of Instagram.
Here’s a current example of the challenge we face. At the height of its power, the photography company Kodak employed more than 140,000 people and was worth $28 billion. They even invented the first digital camera. But today Kodak is bankrupt, and the new face of digital photography has become Instagram. When Instagram was sold to Facebook for a billion dollars in 2012, it employed only thirteen people. Where did all those jobs disappear to? And what happened to the wealth that all those middle-class jobs created?
Back in the day, I actually studied photography in Florence for a few months, and my photography teacher took away my digital camera and said, 'No, use this - it's analog and it's square.' It was a Holga camera, a very cheap $3 or $4 plastic camera. And that's what inspired 'Instagram'.
I love Instagram and photography.
A lot of the people I was writing with think a lot more about lyrics and a lot more about the details from the beginning. That kind of thinking made me a little self-conscious because I was suddenly having to judge what I was doing early on in the process.
A lot of people want to make films and do photography and things, but I'm quite happy doing what I'm doing.
My Instagram has personal things, like pictures of my home, but generally it's my voice, and that's a public thing. Using my Instagram posts in my art is not about taking my personal Instagram and making it public; it's about understanding and challenging the notion of these free platforms that encourage self-promotion and understanding what they are technically and culturally.
Photography brought a lot to painting because it forced artists to think about what painting could do that photography couldn't.
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