A Quote by Stephen Sondheim
Lemuel Ayers had had a huge success producing and designing Kiss Me, Kate. He wanted to produce this as a musical. I got the job. It was a professional score.
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I got a job at Metro and went in to see Louis Mayer, who told me he wanted me to be a producer. I said I wanted to write and direct. He said, "No, you have to produce first, you have to crawl before you can walk." Which is as good a definition of producing as I ever heard.
I've done everything. I've sung, done records, plays... It just so happened my first professional job was as a dancer. I've done the whole shebang, darling. But dancing was my first professional engagement in 1974. I got paid for it, so that was it, my vocation. But my parents weren't keen. They wanted me to be an accountant in Italy. Or a lawyer. They were furious. I had to run away. I had to leave the country.
This was the kiss I had waited for so long - a kiss born by the river of our childhood, when we didn't yet know what love meant. A kiss that had been suspended in the air as we grew, that had traveled in the world in the sovenier of a medal, and that had remained hidden behind piles of books. A kiss that had been lost and now was found. In the moment of that kiss were years of searching, disillusionment and impossible dreams.
I think that it's important that the American people know that Barack Obama didn't have a mild association with Bill Ayers, he had a very strong association with Bill Ayers. Bill Ayers is not someone that the average American wants to see their president have an association with.
You see, it took me so long, it was such a struggle, to move myself out of musicals - because I had had a success, nobody wanted to allow me to direct a non-musical picture. It was so hard. And the only way I could get it going was to become a producer myself.
My whole success is I've always been designing for people, first because I wanted to sell them merchandise. Then when I got into hotels, I had to rethink, what am I selling now? You're selling a good time.
The minute I got skinny and got a nose job and became photogenic, and all of a sudden I had a bidding war, and every boy I ever wanted, wanted me.
To me, success was not having to have a boss and not having a day job. I've been living my own version of success since the early '90s when I first got signed. I haven't had a job since then.
I had a lot of success from the start. I never really was tested for long periods of time. I got my first professional job while I was a senior in college. I signed with the William Morris Agency before I graduated.
I had to turn down films and plays because I had a job, and I could not take up better job offers that required me to relocate, because I did not want to lose the link with theatre. It was a huge decision for me to quit my job.
I always wanted to be a winner, to score goals. There was no massive bravery in terms of my mum passing away and stepping up. I just wanted to score. I know everyone would have given me a pass on it if I hadn't taken it. But I'd have had the hump with myself if I'd shirked it.
Patience is a part of boxing. After I had missed out on the Olympic gold medal in 1984, a lot of people tried to talk me into turning professional quickly to make money. They told me that the next Olympics in Seoul would be boycotted again, that I was wasting my life, blah blah. But I still had unfinished business. I wanted the gold medal, and I got it in ?88. Only then was I ready to turn professional.
I came out of my professional athlete career with a 450 credit score, no money in the bank to show for it, but I had an Ivy League degree. So I put that Dartmouth degree to good use and got a job on Wall Street. I hated it but used the time to make connections and become financially literate.
When we had gone down there you have to remember KISS had never been to Australia. So all the hysteria of KISS that was happening in the seventies was building up in Australia. These kids were waiting seven years to see KISS. I was lucky enough to be there when we went over. We got the key to the city, it was just great.
I don't have a long history of hit singles of my own. I had a few, and I had a little hot streak in the '70s, but I've had a lot of success producing other people.
You lie, in faith; for you are call'd plain Kate, And bonny Kate and sometimes Kate the curst; But Kate, the prettiest Kate in Christendom Kate of Kate Hall, my super-dainty Kate, For dainties are all Kates, and therefore, Kate, Take this of me, Kate of my consolation; Hearing thy mildness praised in every town, Thy virtues spoke of, and thy beauty sounded, Yet not so deeply as to thee belongs, Myself am moved to woo thee for my wife.
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