A Quote by Stephen Sondheim
They wanted me to be a concert pianist, because I had a very good right hand, but my left hand's terrible and I hated performing.
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I was born left-handed, but I was made to use my other hand. When I was writing 'Famished Road,' which was very long, I got repetitive stress syndrome. My right wrist collapsed, so I started using my left hand. The prose I wrote with my left hand came out denser, so later on I had to change it.
My left hand is my thinking hand. The right is only a motor hand. This holds the hammer. The left hand, the thinking hand, must be relaxed, sensitive. The rhythms of thought pass through the fingers and grip of this hand into the stone.
I have never been able to write with anything more than the left hand of my mind; the right hand has always been engaged in something to do with personal relationships. I don't complain, because I think my left hand's power, as much as it has, is due to its knowledge of what my right hand is doing.
When I was a little bitty kid, my aunt showed me how to play a little boogie. It took me years. I had to play the left-hand part with two hands, because my hands was so little. Then as I grew up and I learned how to play the left-hand part with one hand, she showed me how to play the right-hand part, and et cetera. My Uncle Joe showed me how to play a little bit different boogie stuff. I had people in my family that was professional musicians, but I just wasn't interested in what they did. I wasn't very open-minded to a lot of music that I'd be more open to today.
When you play piano, your left hand and right hand are synced. Your brain basically has a clock, so that the right hand knows that 0.3 seconds after I hit this key, I need to hit that one. And the right hand knows not to hit keys that the left hand is playing, so the hands do not collide.
I was much more interested in the orchestra than the piano, but I did become fairly proficient as a pianist and my teachers felt I had talent and wanted me to become a good concert pianist and earn my living that way.
I always pet a dog with my left hand because if he bit me I'd still have my right hand to paint with.
My left hand is my thinking hand (image), my right hand my doing hand (sequence).
She looked at her hand: Just some hand, holding a cheap pen. Some girls’ hand. She had nothing to do with that hand. Let that hand do whatever it wanted to.
At first it was difficult for me to draw. My right hand doesn't work anymore so I had to train myself to use my left hand. But I persevered. The first one I ended up finishing was the duck.
...I remain restless and dissatisfied; what I knot with my right hand, I undo with my left, what my left hand creates, my right fist shatters
The classic one for me is one of my favorite images - left-versus-right political-spectrum image. I was trying to visualize the concepts on the political spectrum. I'm left-leaning, and I discovered as I was doing it that I had an impulse to make the left-hand side appear better than the right-hand side. That was manifesting in the way I was choosing certain words, framing certain ideas. I shared it with a few people, and they all said, "Oh my God, this is really biased." I hadn't seen it at all.
When your move with your left hand can be just as potent as your right hand, I think that's pretty special. I think that's why Kyrie's the best, because he finishes so well around the rim with his left or right.
In mythology and palmistry, the left hand is called the dreamer because the ring finger on the left hand leads directly to the heart. I find it a very poetic idea. And thats why I only wear nail polish on my left ring finger.
In mythology and palmistry, the left hand is called the dreamer because the ring finger on the left hand leads directly to the heart. I find it a very poetic idea. And that's why I only wear nail polish on my left ring finger.
I have loved works of fiction precisely for their illusions, for the author's sleight-of-hand in showing me the magic, what appeared in the right hand but not in the left.
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