A Quote by Stephen Sondheim

I like songs that are part of a dramatic texture, and therefore I like the scenes to be active. I wanna follow the story and that means you lean on the actors. — © Stephen Sondheim
I like songs that are part of a dramatic texture, and therefore I like the scenes to be active. I wanna follow the story and that means you lean on the actors.
I had been, like, 'I don't wanna be a singer anymore', so dramatic, but when I was recording with Brian Higgins I was like, oh my god I love this, I love these songs, I love what this is. And then we just kept on working and working until we got more songs.
I feel like my music is just an extension of my acting. I treat the songs like scenes that tell a story... it's very similar.
I wanna make more songs than anybody, I wanna be the oldest rapper who is active.
A lot of the hardcore fans wanna hear the deep cuts - songs like 'Orion' or maybe like a 'Disposable Heroes' - you know, songs that we don't play all the time - and then, of course, they wanna hear 'Sandman' and 'Nothing Else Matters' and some of the hits.
In an ideal world the script is written lean and tight and therefore there are no scenes left on the cuttring room floor and therefore no extended edition.
Actors, we like stories, we like storytelling, we love being a part of the story, and if you give us a story that's interesting then we'll want to do it.
Sometimes you do complete run-throughs of scenes, sometimes you break scenes down into little bits. It just depends on what the actors like to do. It's almost like jamming.
I usually like to make really dramatic songs that are dynamic from part to part - a lot of jumping from really quiet to really loud.
After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
Filming scenes like that are always odd but I feel comfortable with Josh and care about him a great deal, so it could be much worse. Scenes like that are just part of the job.
I feel like my music is just an extension of my acting. I treat the songs like scenes that tell a story... it's very similar. My favorite thing is when cartoon fans show up to my live gigs! They are always the most kick-butt audience members 'cause they're not trying to act all cool like a lot of the music fans do! It's refreshing!!
I love story-writing because I can (more or less, on occasion) actually DO it. That's really the truth. I like the idea that a story is sort of a site for making cool language effects - a site for celebrating language, and, therefore, the world. And the brevity is part of the challenge. I like stories because I get them - I know how to make beauty, or something like beauty, in that mode.
Extrinsic motivations are like, 'I wanna get rich, I wanna be famous.'... Even missionary ones like, 'I wanna change the world with this idea.'... That's an extrinsic motivation. And when things are hard, you're going to be like, oh why am I doing this?
Making playlists can kill a whole afternoon for me. I like building very specific playlists for new writing projects. In a strange way, choosing certain songs is part of the process of plotting the book out. I pick songs that I think with resonate with characters, their personality quirks, relationship dynamics, action scenes, and so on.
If I am anorexic, I'd be in the hospital! I am tall. I am 5 foot 9 inches, 175 cms tall. I am lean, I am active and athletic. There are so many women who are naturally lean, and so am I. I have been like this for the longest time.
If I am anorexic, Id be in the hospital! I am tall. I am 5 foot 9 inches, 175 cms tall. I am lean, I am active and athletic. There are so many women who are naturally lean, and so am I. I have been like this for the longest time.
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