A Quote by Stephen Sondheim

I love the theater as much as music, and the whole idea of getting across to an audience and making them laugh, making them cry - just making them feel - is paramount to me.
A lot of thought goes into making people laugh. Comedy is never easy. Making people cry is easier than making them laugh.
My approach to making music has always been making ideas and developing them. Sometimes I develop them all the way by myself. The other part of development is I will work with my friends who are just some of the best producers in the world, give them an idea.
The only way you can make change is by moving someone, making them laugh, making them cry. But art has to be at the forefront of change.
Making people laugh is so much more difficult than making them sad. Too much fiction defaults to the somber, the tragic. This is because sad endings are easy in comparison - happy endings aren't at all simple to earn, especially when writing to an audience jaded by them.
I've come to the realization that you can entertain people both through making them laugh and making them feel. You can be quiet, and they can feel, and you will have scored as well.
When I'm with someone, I give them my time, and I give them my energy because I like making someone feel loved! And making them laugh, and just, like, being there with them.
Ever since I was four years old, I loved making people smile, making them think, making them feel good, feel some kind of emotion.
I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
I can't think of anything more important than a kid being sick and making them laugh and making that whole experience a little easier.
Being an actor, you know what it feels like to be directed, so when the chance comes for you to direct someone else, you know how to approach an actor without scaring them off, without making them clam up, without making them feel insecure, without getting them in their head.
I just love being in front of the camera making people laugh, cry, entertaining them. It's the 'nasha' of performance that I enjoy. It's my calling, and I'm blessed to be able to do that for a living.
It's easy to scare people. It's easy to shock them. But making people laugh and making them feel is a big challenge.
I start out making my paintings for me. I don't see it as a form of communication. Until, of course, after they are done and I want people to see them. And want them to be recognized. But while I am making them I just try to get lost in them. Kind of like it's a prayer.
Which implies that the real issue in art is the audience's response. Now I claim that when I make things, I don't care about the audience's response, I'm making them for myself. But I'm making them for myself as audience, because I want to wake myself up.
Getting the audience to cry for the Terminator at the end of T2, for me that was the whole purpose of making that film. If you can get the audience to feel emotion for a character that in the previous film you despised utterly and were terrified by, then that's a cinematic arc.
I love artists making cool music, regardless of the style.So, if a country artist making really cool music came along and asked me to work with them, I just might say yes, even though I'm not super-knowledgeable about country, like I am about hip-hop. I might do that because the idea is so interesting.
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