A Quote by Stephen Sondheim

I prefer neurotic people. I like to hear rumblings beneath the surface. — © Stephen Sondheim
I prefer neurotic people. I like to hear rumblings beneath the surface.
I like neurotic people. I like troubled people. Not that I don't like squared-away people, but I prefer neurotic people. I like to hear rumblings beneath the surface.
Genres are like the surface of the ocean. There are waves and things moving, but you don't instantly see all the reefs and ecosystems that's happening beneath the surface.
I'm neurotic by nature, but I'm wary of becoming more of a play than a comic - you don't want people coming to see a man having a breakdown for two hours. I'd prefer them coming to hear my astute and witty observations.
As an actor, what's interesting is what's hidden away beneath the surface. You want to be like a duck on a pond - very calm on the surface but paddling away like crazy underneath.
We're not building a nuclear reactor here. We're not drilling a mile beneath the surface of the ocean with no plan in case something goes wrong. This is making music, this is melodious air and people can hear what goes into it.
I prefer to focus on who I am as a person and what I stand for. We all want to look good, but I find it more rewarding to work on feeling good and going a bit deeper beneath the surface.
I'm pretty private about my neuroses. You're not neurotic if you talk to yourself - everyone does - you're only neurotic if you hear an answer.
I would like to mention some preparations that were required of me. The first preparation is to take a right attitude toward life. This means, stop being an escapist! Stop being a surface liver who stays right in the froth of the surface. There are millions of these people, and they never find anything really worthwhile. Be willing to face life squarely and get down beneath the surface of life where the verities and realities are to be found. That's what we are doing here now.
Beneath the surface of repartee and mock seriousness, [Plato's Phaedrus] is asking whether we ought to prefer a neuter form of speech to the kind which is ever getting us aroused over things and provoking an expense of spirit.
All art is at once surface and symbol. Those who go beneath the surface do so at their peril.
... freshness trembles beneath the surface of Everyday, a joy perpetual to all who catch its opal lights beneath the dust of habit.
It's not unusual to find big political shifts that take place beneath the surface before they're visible above the surface.
The underground of the city is like what's underground in people. Beneath the surface, it's boiling with monsters.
Storytelling is more like a skin. You start with the outermost layer, what it's going to look like, then you kind of get deeper into it. What's actually going on beneath the surface is not really dictated by or related to the surface genre. It's more about what's going to happen between the characters and what's taking place in the story.
On the surface of the ocean, men wage war and destroy each other; but down here, just a few feet beneath the surface, there is a calm and peace, unmolested by man
Ego is a structure that is erected by a neurotic individual who is a member of a neurotic culture against the facts of the matter. And culture, which we put on like an overcoat, is the collectivized consensus about what sort of neurotic behaviors are acceptable.
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