A Quote by Stephen Sondheim

I'm always conscious of what I'm writing, conscious of what the actor may ask me. I have a defense for nearly every line in the song. — © Stephen Sondheim
I'm always conscious of what I'm writing, conscious of what the actor may ask me. I have a defense for nearly every line in the song.
A great deal of my battle, as an actor, is to whittle away the things that make me self-conscious and try to trick myself into not being self-conscious. So, it's always a challenge, whether I'm lying in a hospital bed or flying around with a rocket pack on my back, or what have you. On the best of days, it's a challenge for me.
A great deal of my battle, as an actor, is to widdle away the things that make me self-conscious and try to trick myself into not being self-conscious.
I think I have been very conscious throughout my career. I can't go back and remember every line of every ad I have done, but I think in the most part I have been pretty conscious that we are not making a wrong claim. I am pretty confident with everything I do.
When I'm writing, I'm trying to access my subconscious and turn off my conscious brain. I use my conscious for research, but when I'm actually writing, I'm trying to get into a place where I'm tapping into the deeper, darker elements of what's going on.
What is difficult to understand is that without conscious effort, nothing is possible. Conscious effort is related to higher nature. My lower nature alone cannot lead me to consciousness. It is blind. But when I wake up and I feel that I belong to a higher world, this is only part of conscious effort. I become truly conscious only when I open to all my possibilities, higher and lower. There is value only in conscious effort.
Consciousness is a much smaller part of our mental life than we are conscious of, because we cannot be conscious of what we are not conscious of.
Every tree, every plant, has a spirit. People may say that the plant has no mind. I tell them that the plant is alive & conscious. A plant may not talk, but there is a spirit in it that is conscious, that sees everything, which is the soul of the plant, its essence, what makes it alive. The channels through which the water & sap move are the veins of the spirit.
I think my voice worked out fine, but it was a lot of work for me. And I was very self-conscious about it. I was a bit self-conscious about writing lyrics too.
I mean that's something we're very conscious of when writing. Tempos are very important. Like "Oh we can't play the song too fast because people aren't going to feel it." There's a pulse to a song. You can't play it too slow. We're always trying to find the perfect tempo.
It's really hard to talk about writing, and I'm usually conscious if I'm misleading people or misleading the questioner, because the problem with writing is the next line.
I use [Heraclitus' discovery of] enantiodromia for the emergence of the unconscious opposite in the course of time. This characteristic phenomenon practically always occurs when an extreme, onesided tendency dominates conscious life; in time an equally powerful counterposition is built up, which first inhibits the conscious performance and subsequently breaks through the conscious control.
All the small, simple, conscious acts of living a sudden defense against the dying we do every day.
Conscious means "having an awareness of one's inner and outer worlds; mentally perceptive, awake, mindful." So "conscious business" might mean, engaging in an occupation, work, or trade in a mindful, awake fashion. This implies, of course, that many people do not do so. In my experience, that is often the case. So I would definitely be in favor of conscious business; or conscious anything, for that matter.
It becomes necessary to realize that the body is not conscious, but we are conscious of the body, also that the mind is not conscious but we are conscious of the mind.
It's a conscious effort for me to be aggressive and take what the defense gives you.
It's so difficult to be conscious of a development of a style. You find yourself writing in a certain style, and the analysis of how you came to it can only ever be applied retroactively. You're never conscious of why you're producing it.
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