A Quote by Stephen Sondheim

In the Rodgers and Hammerstein generation, popular hits came out of shows and movies. — © Stephen Sondheim
In the Rodgers and Hammerstein generation, popular hits came out of shows and movies.
I'm a Mexican girl from California, and I never grew up thinking I could be in a Rodgers and Hammerstein musical. I didn't really see myself in that. Not that I didn't grow up loving Rodgers and Hammerstein, but I don't know - I just never put myself there.
Rodgers & Hammerstein shows have a purity of unironic emotion that imprints itself upon people's hearts. They seem to touch our feelings so effortlessly. They have a scope and ambition that's missing from many musicals now.
The history of popular music is littered with great partnerships. Rodgers had his Hammerstein, Lennon had his McCartney, and Lloyd Webber had... his photocopier.
I've been singing Rodgers and Hammerstein all my life.
Not being a natural songwriter... for me the appreciation of a great song and the writers came early on, growing up in a musical family. My dad got to sing songs by some of the greatest writers of all time, Rodgers and Hammerstein.
The genius of Rodgers and Hammerstein is that their songs become a part of the DNA of the audience.
I think we sublimated our Broadway desires by doing theater in Hollywood - not on stage but by doing the movies of 'Chicago' and 'Hairspray' and also musicals on TV. We did Rodgers and Hammerstein's 'Cinderella' and 'Gypsy' and 'Annie.' Even 'Smash' was like doing theater.
I've never met a Mormon I didn't like. They're really nice people. They're so Disney. They're so Rodgers and Hammerstein.
I have only one bit of advice to beginning writers: be sure your novel is read by Rodgers and Hammerstein.
I have only one bit of advice to the beginning writer: Be sure your novel is read by Rodgers and Hammerstein.
I feel very fortunate to have been associated with people such as Rodgers and Hammerstein. I think they were geniuses of their time.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
The music and lyrics of Rodgers & Hammerstein connect seamlessly. Singing those beautiful songs was a joyous experience for me, and one that I will never forget.
You just never know with movies how they'll be seen in a few years. You have no idea. Like, movies that were super popular when they came out have been forgotten. And other movies - and I put 'Sarah Marshall' in this - kind of weirdly stand the test of time a little bit.
It may sound amazing to people today, but Rodgers and Hammerstein were considered by - how can I put it? - the sort of opinion-making tastemakers and everything to be 'off the scale as sentimental.'
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