A Quote by Stephen Spender
The seen and seeing softly mutually strike Their glass barrier that arrests the sight. But the world's being hides in the volcanoes And the foul history pressed into its core; And to myself my being is my childhood And passion and entrails and the roots of senses; I'm pressed into the inside of a mask At the back of love, the back of air, the back of light.
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I like having my back pressed against a wall and being made to work harder so I don't embarrass myself.
We hold back our true feelings and beliefs, whether it's from a sense of being polite or fear of hurting someone's feelings. But what I have seen on 'The Oprah Winfrey Show' is that no one benefits from holding back and keeping things bottled up inside. So I pride myself on speaking my mind and not being afraid to give honest feedback.
In an ideal world we would all learn in childhood to love ourselves. We would grow, being secure in our worth and value, spreading love wherever we went, letting our light shine. If we did not learn self-love in our youth, there is still hope. The light of love is always in us, no matter how cold the flame. It is always present, waiting for the spark to ignite, waiting for the heart to awaken and call us back to the first memory of being the life force inside a dark place waiting to be born - waiting to see the light.
Ford put a hand to his head. “Back up. Back up!” he cried. “You’re too close.” Heart pounding, I looked at the eight feet between us and pressed into the fridge. “I think he meant for the ghost to back up,” Jenks said dryly.
I don't know if I have a favorite part of being an artist. I do love being onstage and performing with my band. I also love rehearsing with them and creating the show, that's always a fun part. But there's also nothing like being in the studio and being able to get back to myself and get back to my feelings.
For a long time I believed the opposite of passion was death. I was wrong. Passion and death are implicit, one in the other. Past the border of a fiery life lies the netherworld. I can trace this road, which took me through places so hot the very air burned the lungs. I did not turn back. I pressed on, and eventually passed over the border, beyond which lies a place that is wordless and cold, so cold that it, like mercury, burns a freezing blue flame.
I was raised in an observant Jewish household, so for me, Hebrew prayers - the sounds, the sunlight streaming in from the stained-glass windows of a synagogue - bring my father back to me as surely as if he were sitting next to me, my head pressed against his shoulder.
Being back home is a great thing for me, being with my family, being with friends, being with people that have got your back no matter what.
Girl? He pressed. The name is Riley, she shot back. Learn it. Use it!
I think I would spend the first 30 weeks not writing, just clearing my head and seeing parts of the world I haven't seen and going back to places I have seen and love.
Revenge tries to solve the problem of vulnerability. If I strike back, I transfer vulnerability from myself to the other. And yet by striking back I produce a world in which my vulnerability to injury is increased by the likelihood of another strike. So it seems as if I'm getting rid of my vulnerability and instead locating it with the other, but actually I'm heightening the vulnerability of everyone and I'm heightening the possibility of violence that happens between us.
First love is unrequited ultimately because it’s so huge.It’s such an act of giving and it requires so much back that it can never be given back. It’s like an atom bomb. It’s like… It’s all the energy of who you are and who you want to be and what you love and what you hope to be explodes. It is impossible for a single... human being to offer that back to you in a mutual way.
You've got to deal with the world with all of its troubles, while you've still got this alternate image. It's not about being in a different place or being in heaven, it's about seeing the world through magical eyes for a moment, and then being back in that same world, and everything is dull and gray. Having to remember the color.
I haven't done period dramas back-to-back, or really anything back-to-back. You get asked to do what you're most recently famed for, so I'm careful of not repeating myself.
I love getting back to Spokane and certainly love being involved in everything. I would love to be able to give back, for sure.
At the core of my work there is this eternal back-and-forth between being confined to one's own individuality and that longing to be part of the other, the outside world: the impossibility of ever being able to get beneath another person's skin.
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