A Quote by Stephen Sprouse
Then I moved down to the Bowery to this building where Debbie Harry lived. It was there that I started combining some clothes for her and continued doing the art and photography.
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I started working as a kid doing dubbing, and then I started doing television when I was 11 or 12, and then movies, and I worked mostly in French, and then I started working in English, and then I moved to New York. So I think I managed to find a way to always make it a challenge for myself.
I grew up kind of in the country, in western Georgia. And then I moved a lot closer to Atlanta, and I started doing plays, and when I started doing film, I think I really started to love it.
I saw Blondie open for the Ramones, and I remember being really impressed by Debbie Harry and her awkwardness.
I love 'Harry Potter.' I love those books. That started because I lived with a woman who had kids who were, like, 10 and 7 when they moved in with me.
I started doing modeling and continued for good three to four months and then I started getting Kannada movies. Then I realized that I really want to try getting into acting. A lot of people started saying that have 'I have a Bollywood face.'
I went to art school for fine art and then I started doing performance art, and then I started making fun of performance art, and it turned into comedy.
I was actually born in Belgium and lived there until I was 11, then moved to Australia for a year, then moved to New Zealand, so I only lived there from when I was 12 to 18.
I grew up all over the world. My dad was a doctor but not a career-type doctor. He was very curious, so he took the whole family and moved to Miami in the '70s, and we lived there for a couple of years. Then we continued like that and lived in various places around the world.
Some people's photography is an art. Not mine. Art is a dirty word in photography. All this fine art crap is killing it already.
Even some rock star girls, which I didn't really know her name. I will probably find out and probably get slaughtered for not knowing her name, but she brought some of her clothes that she used to wear on stage. I wore one of the corsets and stuff. I don't know why I'm blanking. It was not Pat Benatar. It's like Debbie Gibson, Pat Benatar, Joan Jett, I know those girls.
So then I thought, I'd like you to have something to remember me by, you know, if you ever meet some veela when you're off doing whatever you're doing.' I think dating opportunities are going to be pretty thin on the ground, to be honest.' There's a silver lining I've been looking for,' she whispered, and then she was kissing him as she never kissed him before, and Harry was kissing her back, and it was a blissful oblivion, better than firewhiskey; she was the only real thing in the world, Ginny, the feel of her, one hand on her back, the other in her long sweet-smelling hair.
My family moved a lot as a kid. We started in Colorado, where I lived for five years. We moved to Chicago for two years, to San Francisco for one year, Connecticut for seven, Oregon for a couple years, and then I went to school.
I'm not really an ideologue. I think I'm a person of common sense. I think more than anything else and I was a Democrat, I came from a place - you know, I lived in Manhattan. I started in Queens with my parents and then when I started doing a little better and better deals, I was able to get into Manhattan, I moved into Manhattan and in Manhattan you, you know, Republicans are not exactly flourishing. And so I started off as a Democrat like Ronald Reagan was also a Democrat.
He read the letter again, but could not take in any more meaning than he had done the first time and was reduced to staring at the handwriting itself. She had made her g's the same way he did : he searched through the letter for every one of them, and each felt like a friendly little wave glimpsed from behind a veil. The letter was an incredible treasure, proof that Lily Potter had lived, really lived, that her warm hand had once moved across this parchment, tracing ink into these letters, these words, words about him, Harry, her son.
But that is the way of the place: down our many twisting corridors, one encounters story after story, some heroic, some villainous, some true, some false, some funny, some tragic, and all of them combining to form the mystical, undefinable entity we call the school. Not exactly the building, not exactly the faculty or the students or the alumni - more than all those things but also less, a paradox, an order, a mystery, a monster, an utter joy.
When I was in my early twenties I was doing tenant organizing - rent strikes, specifically - in my building. I think that was how I started doing poster art. It was something very concrete.
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