A Quote by Stephen Stills

Yeah; I'm a much better blues player than anybody knows, but being in the kind of group I'm in, we were always trying to make popular records. — © Stephen Stills
Yeah; I'm a much better blues player than anybody knows, but being in the kind of group I'm in, we were always trying to make popular records.
Yeah; I'm a much better blues player than anybody knows, but being in the kind of group I'm in, we were always trying to make popular records
There were situations in my career where I played much better than another player in my position, but that player had a better name in terms of commercial appeal.
I think you set up certain standards. I've always kind of believed in the Neil Pert way of making records where I'm trying to step it up every time I do something. You're trying to better yourself. You're also trying to make your audience or your listeners more interested. So, if you can up it, I think that's important.
My parents had this massive record player in the living room, a 'blue spot grand' they called it... it used up an entire rainforest to make this thing, and it had all these records in it. Some were rock, some were reggae, but a lot was blues - Ray Charles, Chuck Berry and all that stuff.
A lot of those early blues records and soul records were pretty much live. It was what it was, and they had goofs and mistakes, but it still kept its charm. We have to remember to keep the feel. It's so important.
There was so much on 'Superstar' that we didn't intend. I mean, there were things that we did which were innovative, but some of them were forced on us because we couldn't get anybody to do the show. 'Evita' was much more sophisticated. That doesn't make it better, but it does make it different. We knew what we were doing.
I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
We are trying to prove that the blues lives on forever and anybody in this place can sing the blues.
The blues scale was the first thing I learned. It's just a pentatonic scale with a flat seventh and a few notes that sound cool when you bend them. And because people have amalgamated the blues into this rock-blues scale, if you're using it, you better sound like a real authentic blues player.
I'm always trying to make movies that are better than the ones that we've made before. We don't always succeed at doing that by any means, but we're always trying to raise the stakes, raise the bar, make the movies better, and that's hard.
Psychologists, like other scientists, pride themselves on being extremely modern, and therefore much better than any group of people that ever were before.
So, it becomes the devil's business to keep the Christian's spirit imprisoned. He knows that the believing and justified Christian has been raised up out of the grave of his sins. From that point on, Satan works that much harder to keep us bound and gagged, in our own grave clothes. He knows that if we continue in this kind of bondage...we are not much better off than when we were spiritually dead.
I don't know if anybody knows this, but Serena's my favorite player. Just playing against her is kind of like a dream for me, so I'm very grateful that I was able to play her, and it's even better that I was able to win.
If you look at the other singers of Billie Holiday's time, they were really trying to entertain. They were trying to make people feel good. They were singing fast - and she was singing the blues.
Yeah, it was always a low-budget passion project. It's my directing debut. I've always wanted to make an improv movie because I have so much experience in it, but it's not a big studio movie. It was an experiment that turned out better than I thought.
Yeah, anybody can go in with two turntables and a microphone or a home studio sampler and a little cassette deck or whatever and make records in their bedrooms.
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