A Quote by Stephen Stills
I've just built a studio in my mama's old bedroom, which I thought was fitting; she died last year. We've recorded nine songs recorded in there already; we're sort of just chipping away.
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I love to play music, and this is fun, and let's record this stuff in a way that we both like. That was exciting enough, so we just recorded it. There was no business in it until the very last minute, really. It was really as much of an extension of me writing the songs in my bedroom as it could possibly be.
Shortly before she died Janis Joplin gave me the Gibson Hummingbird she recorded "Me and Bobbby McGee" on ... Janis was a good guitar player, for her purposes .. she just wanted to play along with her songs, and she had a real pure and nice style for that.
I'd just recorded it in Mariah Carey's studio. THey thought the song was perfect for Nina, because she's so shy, so it was nice to have that connection with Nina in the song. It was special.
One day I was in the studio with my cousin. My dad was on tour at the time, so just for fun I recorded some stuff with my cousin. We were just playing around. After my dad got back, one day he played what we recorded. He heard my part and was like, "Who is that?" My cousin was like, "Uh, that's your son!" So he was like, "That's hot. You wanna make a record?"
I don't subscribe to the view that only puja numbers recorded during the '60s-'90s are enjoyed by the present-day listeners. Definitely the songs of that period are very popular even now, but the songs recorded afterwards are equally lapped up by the audience.
The first record we made, we recorded and mixed in a day. The second record was recorded and mixed in a week. The third was recorded and mixed in a month, and 'New Wave' was mixed and recorded in six months. It was an epic project.
In the United States, the last recorded clitoridectomy for curing masturbation was performed in 1948--on a five year old girl.
I like 'Confide' a lot. It was just like a great vibe for me. I was in the studio in Atlanta, and I recorded it and thought, 'This is definitely going on my album.'
'Can't Get Closer' I originally recorded in about half an hour, just on my bed with a microphone. I actually re-recorded the song with a cleaner vocal take, but I decided to leave the demo version on there, just because I felt that instant where it was created is what captured the most emotion.
Right after my mother died, my dad and I went into the studio and he recorded a song called 'I Found You Among the Roses.'
It's strange because I'm a sex symbol to 14-year-old girls which I guess is not the most helpful situation to be in. But yeah, I've never really thought of it. It's just so funny. I mean, just last year I couldn't even get a date and then this year, the world turns and it's so bizarre that everybody just changes their mind at the same time.
Every record has been very different, so I can't really compare them. The first record was good. I originally recorded about half the songs on that one in 2003 or something, and then I went back a few years later and re-recorded them and added some other songs.
I just do a random roulette wheel version of what I've recorded or sometimes tunes I haven't recorded. It's a collection of whatever happens, happens.
When we recorded 'Iowa,' we jammed, we went through the songs, we played as a band and we recorded as a band.
In 1966 I recorded my first bolero album. I was about 18 years old then and I recorded it because I wanted my parents to know that I hadn't lost my identity of being Latino.
Just because of that one disastrous blind date she had last year, where the guy turned out to be fifty-nine, not thirty-nine (He claimed it was a typo. Yeah, I’m sure his finger just happened to slip two spaces to the left).
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