A Quote by Stephen Stills
That was when Neil discovered Jack Nietzsche. They went off and pretty much came up with that by themselves, but I thought it was a great song, and I was more than happy to do my harmony parts on it.
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I pretty much started the lyrics and I hit a roadblock and I think Kerry finished them up. Then I came back and did the ending part. The whole 'Raining Blood.' That part. But it pretty much came together easy. It's a short song.
Neil Young and Barry Friedman had stolen a Buffalo Springfield sign off the steamroller for Barrys house. They put it up. We all looked at it on the wall and a light went off. That's how we came up with the name
Harmony is when the sum is greater than the parts. A happy exaggeration.
The editing of a song is largely what makes the song for me and I think that actually if I had started going like 'I want you to burn' it would have pinned that song down to a particular thing and made that song a smaller idea than what it is. By leaving that off it's much more open, broader.
To achieve vital harmony in a picture it must be constructed out of parts in themselves incomplete, brought into harmony only at the last stroke.
I pretty much started going more towards the singing route when I came out with the song 'Selfish.'
Nay, but Jack, such eyes! such eyes! so innocently wild! so bashfully irresolute! Not a glance but speaks and kindles some thought of love! Then, Jack, her cheeks! her cheeks, Jack! so deeply blushing at the insinuations of her tell-tale eyes! Then, Jack, her lips! O, Jack, lips smiling at their own discretion! and, if not smiling, more sweetly pouting - more lovely in sullenness! Then, Jack, her neck! O, Jack, Jack!
Came from a song that I made from, like, 2012 - there was some phrase like 'Rap Monster', and I just, I thought it was so cool. But as I grow up, and as I came to America, I think it felt like too much. So I just abbreviated it to 'RM', and it could symbolize many things. It could have more spectrums to it.
I think I was six when I discovered the song "White Wedding" by Billy Idol, and that was the first time I thought I had discovered something on my own. It's the first song I remember hearing and liking without anyone telling me to like it.
It would be really great if I discovered a cure for cancer, but it would only be a little bit less great if my neighbor did. So I am pretty happy when my neighbor becomes wealthier, better educated and more innovative. I feel the same about China and India.
My drum parts are a song within the song; that's the way I look at writing my drum parts. They follow patterns, and they're written to interact with the rest of the band. There's quite a bit of thought that goes into it.
I really lucked out with that song ["As Cool As I Am"]. Men were becoming much more comfortable with all the different facets and parts of their identity, including their gentler, funnier, sillier, nurturing parts. They started showing up. There was so much exploration of gender at that time. Women were showing up with the range of ways of being female in the world and men were showing up with the range of being male in the world.
People can try to reinvent themselves. I don't think you can really change who you are, though, because who you are is pretty much where you came from and what you've done up to now.
Jay-Z is more naturally gifted. He didn't depend as much as 50 did on his personal story. Jay-Z has a great story, he came from a pretty rough background. But 50's early success was so much fueled on the story and where he came from. With Jay-Z, I feel he has a more natural gift for language and for music itself. 50 really had to study and work at it much harder.
If in Nietzsche's thinking the prior tradition of Western thought is gathered and completed in a decisive respect, then the confrontation with Nietzsche becomes one with all Western thought hitherto.
Even 'The Inevitability of Death' is kind of a funny song more than anything. I mean, I thought it would be funny imagining radio deejays cueing it up and announcing it as people are driving off to work.
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