A Quote by Stephen Strasburg
I want to be the horse in the rotation that everybody can really rely on and is going to get that consistent starter.
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Horses are consistent and logical. The horse will do what is easiest for him. If you make it easy for him to buck you off, kick you, and run away, that’s just what he’s going to do. And more power to him. But if you make it easy for the horse to be relaxed and calm and accurate — and also have it be a beautiful dance between you and the horse — it won’t be too long before he’ll be hunting for that just as hard as you are. Whatever you make easy for the horse, that’s what he’s going to get good at.
If I'm in the rotation, I'm in the rotation. If I'm not, I still will support the guys like I am in the rotation. But when I do get my turn, I definitely will make the best of it.
Everybody wants to be a starter, and I feel like I'm a starter in this league, but I can't necessarily control that.
Heath [Ledger] would walk up to a horse and could like silence the horse. Just literally he'd be like, 'Shh. Shh.' And then he'd get on the horse. I'd be like, 'I'm going to get on you.' They'd be like, 'F - off!' I didn't really have that style.
Everybody says, 'When you have kids, you really get away from yourself.' But really, it's the most selfish thing I've ever done. It's like, Okay, I'm going to create unconditional love for myself, and I'm going to need it and want it and ask for it every day, and I'm going to get it.
I just think that's the key to all of the quarterbacks throughout the league. You want to have a consistent drop, a consistent balance in the pocket so that you can really get everything into the throw, so that you are throwing with good velocity.
When it comes to basketball you always want to put the ball in the hole. You want to get as consistent and get that muscle memory right and be consistent.
I don't want the horse to get trained, because training the horse is absolutely finite. But if you get the horse to where he operates as if to be your legs, an extension of you, you've far-exceeded that whole training notion.
I myself would go for nonviolence if it was consistent, if everybody was going to be nonviolent all the time. I'd say, okay, let's get with it, we'll all be nonviolent. But I don't go along with any kind of nonviolence unless everybody's going to be nonviolent. If they make the Ku Klux Klan nonviolent, I'll be nonviolent. If they make the White Citizens Council nonviolent, I'll be nonviolent. But as long as you've got somebody else not being nonviolent, I don't want anybody coming to me talking any nonviolent talk.
When you step on the field, you want to be a starter. You want to be the person everybody looks to and says, 'If we need a play to be made, let's go to him.'
There is a story in Zen circles about a man and a horse. The horse is galloping quickly, and it appears that the man on the horse is going somewhere important. Another man standing alongside the road, shouts, «Where are you going?» and the first man replies, «I don't know! Ask the horse!» This is also our story. We are riding a horse, and we don't know where we are going and we can't stop. The horse is our habit energy pulling us along, and we are powerless.
I know I'm good enough to be a starter and I'm a much more productive player when I get starter minutes. But I don't have to start. That's not me.
If you really want to break it down, on a small movie everybody knows that they're there for artistic reasons to do something special to make something amazing, and they're not going to get their normal hotel and they're not going to get their trailer, but they're willing to forgo that - and of course the salary - because they want to do something really special. On a big movie, most people are getting paid a lot of money, and so they're there to do the work.
The secret is, first, get a thoroughbred horse because they are the most nervous animals on earth. Then get the biggest gun you can find and make sure the starter fires that big gun right by the nervous thoroughbred's ear.
Obviously I can't rely on my group, but I don't want to rely on a laptop just to play back some backing tracks, that's not the way I do things really.
People tend to shy away from rotation with resistance because they think they're going to get hurt. Like, 'If I move in that motion with that weight, I'm going to pull my back.' But you're not.
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